Jump to content

Leaderboard

Popular Content

Showing content with the highest reputation on 11/06/2013 in all areas

  1. I'm late in posting this. Also it's long. Grab a cold beer and read at your leisure. So was I the only one who attended the Shige Seminar at the SFO convention? If anyone else went I'd love to hear your thoughts. Especially if you went Sunday. I attended Saturday and what was supposed to run from 10:00-11:30, lasted till about 1:30. And only because Ed Hardy's lecture was supposed to take place in the same room at 1:00. I suspect it could have gone on for another hour. Shige was rushed at the end and had to skip over some explanations. Even then, it was both entertaining and educational. For about 3 hours he discussed the practice he goes through developing each of his back pieces. Starting with a day long consult with his clients to make sure they get the tattoo they want and to make sure he and they are all on the same page. He explained 1 day may seem extreme for a consult, but given the size, the fact they will be together for long periods for the tattoo, and the tattoo will be a part of the Client forever, giving them a day for a consult was most responsible. In one of the back pieces he showed us, he explained the Client originally wanted one design motif but he convinced him to go another route. In that particular case it was a friend with a family, and who owned a nail salon. The Client was originally interested in a hell scene but Shige asked him if he really wanted that type of scene given his new family and his life making people feel more attractive. The Client realized then that something else was more appropriate and together they arrived at a design incorporating a Buddhist diety. I thought this was cool because it showed his commitment to his Clients and their happiness. He also noted that each back piece is designed specifically for each individual's body. No design can truly be swapped out for another person because he designs in full scale, and for the bearer's shape. Rather than drawing a sketch and enlarging it, he'll draw life size designs. I thought this was an interesting approach and allowed him to fit as much detail as possible into a design. This explains a lot from what I've seen of his work where for example the arc of a sword scabbard perfectly follows the curve of someone's lats. In regards to subjects, whether they be Buddhist entities, mythological/natural creatures, or scenes from specific stories, Shige explained he takes great care in making sure he gets the subject just right in portraying them accurately and accentuating certain elements as needed. One thing he mentioned was that it was his job to educate the Client about stories. The Woodblock, Noh, Kabuki scenes are not something most Japanese Clients know about. Most people in Japan are just as uneducated as non-Japanese in regards to this. As such he takes great pain to research as much as he can. In the instance with deities, each hand carries a certain item. Which hand it is in and which item is very specific. This reminded me of Horitomo's lecture on Fudo Myo-o who said the same. If the items were lacking or in the wrong hand then the depiction of that deity would be off. It's all in the bearer if they truly care, some don't, but it's good to hear things about these deities most are not aware of to know they may be incorrect. He also noted that most motifs based on a story is based on a true story with a historical figure and context. It was very important to know this and he went through the process of showing some back pieces and describing their stories and where in particular they took place in Japan and when. And also compared the time spans between each. Now I've always been interested in mythology since I was a wee lad so bit by bit I've made an effort to learn about particular historical characters, many of whom figure into these stories to a certain degree so some of these stories were familiar to me, but I always relish the chance to hear more about them. Even so, Shige apologized many times to the group for making it feel like a history lesson, but also stressed how important it was to know it. Why so? One example he explained was when designing patterns on kimono or the colors used. One would not apply the print design of a geisha from say the 17th century to the print design on a princess's kimono from the 10th century. The pattern would be wrong for nobility and the time period would be off. subtle things. In the past the closest thing I've seen to this example was with regards to samurai style armor from the 1500-1600's being depicted in stories from about 1100. They were cool images, no big deal you think, right? Not really. I mean if you don't care about details like that it's all good, but in relatable terms it's like showing a Viking at the controls of a drone strike or a knight wearing chaps and a pair of six shooters at his side. It can be cool but it can also just as easily make someone scratch their head. All this, displayed the shear amount Shige goes through to give his all to a tattoo. What was also nice was that while informing the group about the historical backdrop of particular stories, he also touched upon their relationship to other stories and how they interconnected. He also alluded to particular stories he felt would make interesting subjects for future large pieces. Taki who was translating, joked that he wasn't sure if Shige was hinting that he wanted some one to make a request for those stories. If it was, or you want to give it a try, I can fill you in on which stories those were. Ha ha! Between all of this he also described how having no "master", outside of the constraints of certain story elements, he was allowed creative freedom to do what he wanted and not conform to rigid traditions. For example normally a back ends a certain distance on the ribs down the side but I believe it was his Taira No Tomomori back piece, that the subject wrapped around the Client's body to almost become a full body suit or in the case of another tradition mandated a Buddhist deity be depicted with 11 faces. In that particular case instead of tattooing all 11 he introduced some western notions having some hidden with the idea that as the faces wrapped around the deity you wouldnt be able to see some and he also allowed the Client's face to be the 11th. In addition that particular face was known to always wear a smile. So Shige told the wearer that he always has to smile now. I thought that was pretty clever and a nice inside joke between the two. I'll end this now, but like Shige's lecture it could go on much much longer. Suffice it to say it was a very enjoyable time and what I came away with was a profound appreciation for one man's deep thought process he gives to each of his Client's tattoos. Often times, something Clients take for granted of their Tattooers. Thank you Shige and Taki for the seminar. Also everyone who attended received a print of Fudo Myo-o and a digital copy of his book! Now I have all 3 versions. Hardcover, paperback, and digital! Sidenote, every time I mentioned "Client", I was very tempted to swap it out for "Canvas". But that would be too cruel.
    12 points
  2. 9 points
  3. RoryQ

    Upcoming Tattoos

    Tomorrow week I will be on a plane heading back to Yellow Blaze for more work on my front. Looking forward to being back in Japan, but dreading the tattooing given the location. At least all the lining is done...
    7 points
  4. a1steaks

    Preferred tebori styles

    I'm in the process of getting my front done by Horitomo. I'll post some pics in the future.
    7 points
  5. got this hot momma a few weeks ago from eli quinters
    6 points
  6. Abyss

    Upcoming Tattoos

    I got on Grime's list. My appointment's in 3 years. o__O I want a samurai skull hanya but I might change my mind when it's closer to the appointment date. haha. =P
    5 points
  7. http://web.stagram.com/p/583127157239957060_18727800 Emily Rose Murray just posted these. Amazing!
    5 points
  8. Starting my Backpiece on Friday with Stewart Robson! 3 hours, so hopefully get the outline done! Super excited but am now feeling slightly anxious....
    5 points
  9. Wilhell

    Preferred tebori styles

    Horimasa Tosui from the Horitoshi Family is my favourite. In my opinion his doing some of the best Tebori oneshots (and big work) in the business. It´s very easy to recognize that his master is Horitoshi 1; These are 12 years old. Look how bright they still are; I got this one from him earlier this year: I also love alot of other Tebori-artists, some of them are mentioned over here. Horizakura, Horitomo..
    5 points
  10. Amok

    Latest tattoo lowdown.....

    New one done today by Stevie Edge
    5 points
  11. Wilhell

    Thighs Thighs Thighs!!!

    I´ve already posted this one in this months contest, but here it is. Mike Rubendall 5-6 hous. Most painless tattoo session ever,
    4 points
  12. Of course they had to mention Kat Von D, even in passing!
    4 points
  13. ShawnPorter

    Moon tattoos

    There's a long story about the 'why' of us getting that particular design... To condense it- when we started dating a mutual friend told us that our being happy was 'just the honeymoon phase. don't worry, it will pass' and we were blown away by how snarky and shitty a comment it was. So we started joking about getting a tattoo that was ambiguously a nod to Honey Moon Phase as a bigolfuckyou joke. I've never gotten a tattoo with a partner before and when we were discussing it we decided not to add initials or date or anything to 'play it safe' but ultimately it was a really great experience.
    4 points
  14. taaarro

    Preferred tebori styles

    Dear admins, if this is too basic a question for a thread, or if it has been covered elsewhere please delete it. Until very recently, I appreciated Japanese style tattoos, but was totally uninterested in getting them. It probably had lot to do with growing up in Tokyo and living here again now. Ever since a tattooer friend recommended (or implanted the idea of) getting a thigh done tebori "for the experience," I've been semi-obsessing about it. Who are your favorite tebori artists and why? It seems the styles, from the width of the windbars and palette, to drawing styles, are so varied. Do you like the artists doing classic work or the younger artists making "innovative" work? Some younger Japanese tattooers seem to be heading in a SSTP direction of simplification, where ultimately, classic tattooing, whether Japanese or American, becomes almost the same (except in subject matter). Some others' works seem too anime-influenced for my tastes. Even among older artists of a similar region, there's also a lot of variety. For example, Horitoshi I's work looks completely different from Horikyo's works and they are both Tokyo-based. Just curious about all your opinions. Horikyo Horitoshi 1
    3 points
  15. Enjoy! Japanese Tattoos: From Yakuza to Artisans, Aesthetes - Scene Asia - WSJ Don't miss the links on the gallery and also I think the book is being released this month!
    3 points
  16. my 5 year old nephew: "I wants a tattoo in the necks like Uncle Eric" I figured my life was a little vanilla so why not set a bad example for the children in the meantime. FOR THE CHILDREN! tattoo made in Edmonton, AB by Shawn O'Connor @ Ink Machine
    3 points
  17. Been a while since i posted anything on this forum but the whole moving thing was a bit stressful at times. Now i work in a bakery/cafe and make some good money + tips and free bread, we met a lot of awesome people here and the city is just great in general. Anyone ever in the Vienna area give me a call and ill let you crash on my couch ;)
    3 points
  18. Got this a couple weeks ago from Nikki Balls in D.C. Still a little shiny, and not a great pic, but you get the idea. Thanks for looking.
    3 points
  19. New here, but I'll throw in my new skool piece just for fun :) Some amazing ink on this one! Done by Ryan Eternal at Into The Woods Gallery in Dania Beach, Florida.
    2 points
  20. Some people look cool as fuck with bad tattoos - not talking about giant penis-koi , but you know what I mean
    2 points
  21. I think the tattoo has merit. It's much better than most, if that helps. But IMO I would suggest a cover-up and backpiece... Definitely a backpiece :)
    2 points
  22. One of the most truest statements i've ever read
    2 points
  23. irezumi

    New from Georgia

    Spider webs
    2 points
  24. I had pleasure to be tattooed two times on my leg by Bunshin Horitoshi, one in London Convention and another in her home-studio in Tokyo, is an amazing tattooer and very nice guy. Other young tattooers that I deeply admire are Horimomo and Bunshin Yozin (Yozin Irezumi facebook name), they make really strong and bold works.
    2 points
  25. I like the work of Nakamura Toshikazu also and it's a little different in style from the others above . Here's a link to his site and if you want to view his portfolio click the first grey box with Japanese writing in it , he's also on IG . Also I've previously posted pieces from him in the chest / torso thread . http://shisei2011.web.fc2.com/
    2 points
  26. I like Horimitsu of the Horitoshi Family a lot. His colors are also very vivid and bright. His designs take on an abstract approach at times to traditional Japanese tebori themes. I've follow his Instagram religiously. Missed out on an opportunity to get tattooed by him at this past NYC Tattoo Convention. Hopefully he'll come to the next one!
    2 points
  27. With all of this said, I did like it when Lady Gaga was in that music video with that GISM leather jacket. Of course if people started wearing bootlegged GISM shirts in any large number, Sakevi would stab them and/or light them on fire.
    2 points
  28. [/img] Finally figured out how to post correctly.. Apologizes !! Tattoo by Chris Garver , Invisible NYC
    2 points
  29. I love the tebori work of the Horitoshi Family from Horitoshi 1, Horimitsu, ShunHo, and Shinji Horizakura. The depth of the black wind bars are amazing the colors are so vivid and bold. However my favorite tebori tattooer is actually US based now, Horitomo. I feel he is doing his best works these days and hoping one day to be able to get something from him:
    2 points
  30. My first tattoo was a big thigh piece, and I just got my other thigh done this weekend. Experienced twitching both times. However, the first time was much more painful than this past one. The outline wasn't fun but the shading was a breeze. Here they are, the first one isn't in a style I'm super into anymore, and I'm not too crazy about it anymore, it's not bad it just doesn't fit with what I'm going for anymore. Maybe one day I'll have it covered or reworked or something. I don't regret getting it, because it helped get me into tattoos, and really it's not a bad tattoo, just not what I would get now. Here is my latest one, which I've already posted in 2 other threads in the past couple of days, but whatever, done by Phil Hatchet Yau:
    2 points
  31. Got this from Bailey on Saturday.
    2 points
  32. I guess this is probably a bad month to enter given how great the tattoos posted so far are. But I see that as a good thing, it just means more people are out getting great tattoos. Anyways, I've already posted this in he latest tattoo lowdown, but here it is: Phil Hatchet Yau at Tahiti Felix's Master Tattoo, 4 hours, one-shot:
    2 points
  33. Had fun re-purposing toilet paper rolls into cute monsters with my kindergartners...also dressed up like a "teacher stereotype" for halloween. That took some explaining to our students. We joked with the class that instead of having a party we were going to have them write a thousand sentences. When they started to protest, we taught them to sing "You gotta fight for your right to party". It was a fun day.
    2 points
  34. ironchef

    Full Back Piece Thread

    So today was my second session with Henning on my backpiece and it was a tough one. Started bright at early at 9:30am at Kings Avenue Long Island. This was probably the most painful and longest tattoo session I've ever had. We both under-estimated the time it would take for Henning to finish lining some additional feathers and to shade in the rest of the background. The first 5 hours were relatively low key. The last two hours were terrifying. I now know I will probably not entertain a torso piece anytime soon as the pain from the ribs was just brutal. This was the first time I considered tapping out but I was able to bare down and we managed to finish. Here are some pics. Color next year for the phoenix. Next session will be with Rubendall in December to put more color into the dragon. Big thanks to @Killercook76 who dropped by today for moral support and assisted in taking some pics. He showed off his Garver and Hendricks pieces which were AMAZING. Cheers bro! I love this guy but he "royally" kicked my ass today... Added some more feathers and filling in the top Background fully shaded Right side from Tuesday's session Left side from today
    2 points
  35. hogg

    Bug Zappers

    I have more bugs than I realized. Itsy bitsy spider by Ben Grillo: Moth by Capilli Tupou: (I gotta get healed pics of this thing, but it's behind my knee.) Spider lady by Richard Stell: And a Bob Roberts black widduh:
    2 points
  36. Hahahaha, I think I actually picked up the same frames as both of you last night. The four pack at BB&B. They were the first things the wife and I hung up in our new house! Edit: I have no idea why my images upload sideways.
    2 points
  37. besides getting tattooed, which is also awesome but that's for a different thread. Just got back from a guest-spot at Godspeed Tattoo in Breckenridge Colorado, where everybody are the friendliest tatbros. Did a early morning/sunrise canoe trip on a mountainside lake, skated at several different skateparks, several mountain trail bike rides, camped out for a few days way high in the mountains with good friends P Wee, Miho, and Joel Long, did some 4 wheeling in a jeep in same area, and had a campfire drawing session with P Wee & Joel. Can't wait to go back.
    1 point
  38. So today's Father's Day and my dad is celebrating the only way he knows best...by spending the day at the mah-jong parlor. My lady is working so that leaves me with a free day to my own devices to which I decided to mount and hang up the Horitomo cat prints I have accumulated. I love the entire series and the various ones that are not in print but posted on Horitomo's Instagram. Patiently waiting for more prints to come out and the much rumored book that collects all of the various tattoo cat incarnations. Hopefully one day I make it out to the west coast to get a tattoo cat from him...would be an awesome experience.
    1 point
  39. 1 point
  40. Lance

    Preferred tebori styles

    Strictly speaking japanese style artists who do tebori, I'd agree with what @ironchef said. Anyone from the Horitoshi family is amazing. Lately I've been pretty fixated on all of them. @kylegrey also mentioned him but Nakamura Toshikazu also intrigues me. His style seems more classic and simpler. Horitomo however is talent incarnate. He's definitely the favorite of mine.
    1 point
  41. Graeme

    Preferred tebori styles

    This in-progress bodysuit is pretty breathtaking: By Horimatsu
    1 point
  42. OMG @TrixieFaux, you're dressed the way teachers did when I was beginning school. It's nuts, I haven't seen teachers dressed like that in years, makes me smile :)
    1 point
  43. I thought I'd throw up an old tattoo just go giggles, since I don't think I ever did in the contest. Regino Gonzales Invisible NYC
    1 point
  44. tatB

    New Guy!

    this sentence is funny
    1 point
  45. Cathrine Inked

    Back..

    Back by David Leon at Freaks Tattoo, arm by Espen Mørken at Madison Tattoo & piercing.
    1 point
  46. hogg

    Ban Hammer by Scott Sylvia

    Step up if you wanna get banned. ;)
    1 point
  47. The technology is shorter bursts of light mean less heat, in turn means less damage to the surrounding skin tissue and yield faster healing with more efficient fading. 2-3x faster removal? That I'm not so sure of. I can't see a tattoo that would normally take 12 treatments being cut back to 6, but maybe down to 9-10, that seems reasonable to me. Pico- - Wikipedia, the free encyclopedia The Nd:YAG laser you're currently being treated with is a nano-second laser, or a billionth of a second burst of light at a time. The Pico will be firing at a trillionth of a second, but from what I've read they both still operate at 10hz
    1 point
  48. Iwar

    White Tiger

    Tim Lehi - 2011 - Blackheart Tattoo
    1 point
  49. hogg

    Clashing of different style

    I feel like I'm a clash of different styles. I speak a few different languages, have more than a few interests, and have done a lot of different things in my life. My tattoos are a reflection of that, and as much as I admire people with one full suit from a single artist, I know that it's not for me.
    1 point
×
×
  • Create New...