The Hyena

I haven't been tattooing very long, so I feel awkward replying to shit like this. But here goes.
I like the act of tattooing. I love watching pigment go in the skin, seeing the line as it's being pulled across the stencil. I love it. So when I get requests for annoying shit, or things I'm sick of,(and denying that you ever get sick of shit is fucking retarded. We're humans. We get sick of shit. Period.), I try to just get past it in my head and think about the application. Not that I'm applying a tattoo that I hate, but that I'm applying a tattoo at all. And get right back into that mindset of enjoying the work aspect of it.
Without trying to sound like a wagon jumper, I too like tribal. I love watchign the black just go in solid as fuck. I know this dude is just some dude looking to look just like his boys, but in my head I'm thinking, "man, this shit is going to make your buddies tribal look like shiiiiiiiiiiiiit!". I just try to get in that zone as much as I can.
The clients though....
None of us can control the chaos that is our client base. That is the unknown quantity part of the job. Lots of shitheads, and lots of people who don't actullay want tattoos. They just want their very own "me too, guys! I did it too! See!" story. They spend hours trying to find the least tattoo-ish, most benign design possible and stick it somewhere no one will ever see it, because to them it's just proof that they did it too when the stories start flying.
I try very hard to pick my battles, read clients and choose which ones would be receptive to some swaying. Not into something completely different to stroke my ego, but into a better planned out version of what they want. Just gotta pick the battles.
Can't do it with everyone or you burn out, and you can't responsibly be the guy who says "fuck it, I know this will look, age and heal like crap, but i'll take your cash." All the time banging rainbows up their ass telling them how good of an idea it is to keep them and their dumb friends coming back for more.
Regardless of how it will effect responsible tattooers who try to do a good, well thought out tattoo for the benefit of their clients. Just gotta do what I can to sleep at night, like trying to explain to people that upside down is upside down. I try. If they get it, awesome. If not, I'll at least try to do it clean.
Sorry for the ramble. I just felt it on this one. I felt that I need to make an ass of myself on the internet. Word.

Tattoo flash painting isn't really painting even if you use a brush. It's "illustration colored with a brush". I mean people didn't even really consider Rockwell a painter. He was an illustrator and his paintings(illustrations) were far better than what 99.999999% of us are all putting out. Outside of flash, and flash style paintings I don't really do that stuff much anymore. I did it for years before I was a tattooer so I'm going the other way that a lot of people are going. I'm not branching into painting, I'm leaving it alone for more tattoo based illustrations.
Weird.

People who's spouse, significant other, or loud tattooed friend does all the talking for them. "Oh, he want's it like this, not like this.", "we would like something that goes on her wrist. so she can read it. because, you know, this one is for her...."
The fuck outta here with that shit.

Absolutely. I mean, don't get me wrong, I love letting it out there when someone let's me, or asks for that kind of thing, but even on those weeks where I do a ton of custom cool shit, I get burnt on it and just want to do kanji. Something I don't need to analyze and think through the whole time. I guess a great situation is where you get a good variety. Cool concept shit, old flash, ultra common stuff, random client drawings, old stand byes...etc. Pays the bills, keeps you on your toes, helps build the portfolio and keeps you humble and grounded.

All of the above!
ALso:
The healthier you are the more prepared your body is for what's about to happen to it. Try not to come in hungover, get a decent nights sleep, eat a good breakfast, and lunch, essentially come in on a full stomach, by hydrated, and be relaxed as much as you can.
I've been told that exfoliating the are you are going to get tattooed for about a week before hand helps greatly with the healing but that's more of a suggestion.
Try to keep an open mind. Tattooers are professionals(for the most part, but not always so do your homework!). We have a wealth of knowledge we can bring to bare at any time for you, so take advantage of that. You will get a great tattoo. A tattooer who cares won;t talk you out of your idea, but might help you do it in a way that transcends your personal whims and trends, and will age gracefully, and compliment you as a person. Though it may be somewhat different than what you initially had in your head. Try to be a little malleable, and trust your tattooer. Try not to be some emotionally attached to every single detail. Remember: you aren't thinking like a tattooer. You think like a person who likes certain images and is used to seeing things on t-shirts, computer screens, and prints. Sometimes things don;t work in skin and we try like hell to make things work the best for you.
Try to remember that as much as tattooing has become a main stream product for most clients, it's still a hand made craft to us. If you are expecting hospital levels of sterility, Professional attitudes and expert technique then see us, not just treat us, but SEE us as professional craftsmen/women. Most of us have your best interest at heart because we can and do see the big picture. We are looking at your tattoo in our heads 10 years into the future. At least. We just want to do a nice tattoo for you. So when a tattooer explains why an idea is too complicated at a certain size, or why there is too much clutter, or that outlining it pink may not be the best idea, pay heed to that. You are hearing the educated opinion of a craftsman.
If you want a tattoo, don;t let your significant other try to do all the talking. Be plain, and straightforward with the things you want out of your tattoo. The less we have to guess, the fast we can get on the same wave length and make you happy.
If you are on vacation and you plan on things like tanning, going to the beach, strenuous activities, swimming, hot tubs, etc. Plan to get your tattoo at the ass end of your vacation so there is less interference with healing(and we can't tattoo sun burned skin so take care of it!), but try to get to the shop at the beginning of your vacation to set the appointment up, or if possible call ahead. Many shops can accommodate walk in's at most times, but since you have a limited time, try your hardest to think ahead. Rush jobs at the last second may not be ideal especially if you want something more involved than a single sitting, quick tattoo.
Avoid food that makes you fart before the tattoo. No one wants be sniffing your pooh ghosts while they work.
Hope some of this helps.

Everyone's different. And it's got nothing to do with toughness. Where your nerve endings are most sensitive is where you're going to feel it most. Other things to take into account are how you are feeling that day. If your body is putting up with anything else, that is energy it doesn't have to dedicate to putting up with the tattoo process. Things like being hungover, having slept bad the night before, no food in your system, being sick or fighting off a cold, other infections.... These are all things that can make it feel worse. Not to mention how the tattooer tattoos, and weather or not you even feel like getting tattooed that day.
People talk about the ribs being crazy painful, but I have this group of tiny college soccer team girls that get rib shit. All big, script, pictures,... You name it. They have no problems at all. Soccer girls and snipers are the best for that shit. People who can accomplish a goal under duress make the best clients. They are able to not even see it as discomfort.
BUT I also tattoo big burly dudes who get all stressed and titchy over outer arm tattoos. You can see them just in agony. It's all different.
I was told that the inner bicep was hell. That's why everyone in the 90's who was getting tribal armbands would leave that are blank and have it not connect. I waited forever to do that spot. Come to find out it was the easiest shit for me to deal with. Possibly one of the two tattoos I could have fallen asleep getting.
My legs on the other hand? FUck. In normal places on my leg where normal ass people get normal ass butterflies and shit... FUCK shit is ridiculous. Hurts my soul. Getting my ankes tattooed makes me feel like a girl broke up with me in 8th grade.

People who's spouse, significant other, or loud tattooed friend does all the talking for them. "Oh, he want's it like this, not like this.", "we would like something that goes on her wrist. so she can read it. because, you know, this one is for her...."
The fuck outta here with that shit.

I haven't been tattooing very long, so I feel awkward replying to shit like this. But here goes.
I like the act of tattooing. I love watching pigment go in the skin, seeing the line as it's being pulled across the stencil. I love it. So when I get requests for annoying shit, or things I'm sick of,(and denying that you ever get sick of shit is fucking retarded. We're humans. We get sick of shit. Period.), I try to just get past it in my head and think about the application. Not that I'm applying a tattoo that I hate, but that I'm applying a tattoo at all. And get right back into that mindset of enjoying the work aspect of it.
Without trying to sound like a wagon jumper, I too like tribal. I love watchign the black just go in solid as fuck. I know this dude is just some dude looking to look just like his boys, but in my head I'm thinking, "man, this shit is going to make your buddies tribal look like shiiiiiiiiiiiiit!". I just try to get in that zone as much as I can.
The clients though....
None of us can control the chaos that is our client base. That is the unknown quantity part of the job. Lots of shitheads, and lots of people who don't actullay want tattoos. They just want their very own "me too, guys! I did it too! See!" story. They spend hours trying to find the least tattoo-ish, most benign design possible and stick it somewhere no one will ever see it, because to them it's just proof that they did it too when the stories start flying.
I try very hard to pick my battles, read clients and choose which ones would be receptive to some swaying. Not into something completely different to stroke my ego, but into a better planned out version of what they want. Just gotta pick the battles.
Can't do it with everyone or you burn out, and you can't responsibly be the guy who says "fuck it, I know this will look, age and heal like crap, but i'll take your cash." All the time banging rainbows up their ass telling them how good of an idea it is to keep them and their dumb friends coming back for more.
Regardless of how it will effect responsible tattooers who try to do a good, well thought out tattoo for the benefit of their clients. Just gotta do what I can to sleep at night, like trying to explain to people that upside down is upside down. I try. If they get it, awesome. If not, I'll at least try to do it clean.
Sorry for the ramble. I just felt it on this one. I felt that I need to make an ass of myself on the internet. Word.

Some stupid lady went and soaked her feet in hot ass salt water four like three hours after getting a tattoo.
"Why does this look so awful?"

I haven't been tattooing very long, so I feel awkward replying to shit like this. But here goes.
I like the act of tattooing. I love watching pigment go in the skin, seeing the line as it's being pulled across the stencil. I love it. So when I get requests for annoying shit, or things I'm sick of,(and denying that you ever get sick of shit is fucking retarded. We're humans. We get sick of shit. Period.), I try to just get past it in my head and think about the application. Not that I'm applying a tattoo that I hate, but that I'm applying a tattoo at all. And get right back into that mindset of enjoying the work aspect of it.
Without trying to sound like a wagon jumper, I too like tribal. I love watchign the black just go in solid as fuck. I know this dude is just some dude looking to look just like his boys, but in my head I'm thinking, "man, this shit is going to make your buddies tribal look like shiiiiiiiiiiiiit!". I just try to get in that zone as much as I can.
The clients though....
None of us can control the chaos that is our client base. That is the unknown quantity part of the job. Lots of shitheads, and lots of people who don't actullay want tattoos. They just want their very own "me too, guys! I did it too! See!" story. They spend hours trying to find the least tattoo-ish, most benign design possible and stick it somewhere no one will ever see it, because to them it's just proof that they did it too when the stories start flying.
I try very hard to pick my battles, read clients and choose which ones would be receptive to some swaying. Not into something completely different to stroke my ego, but into a better planned out version of what they want. Just gotta pick the battles.
Can't do it with everyone or you burn out, and you can't responsibly be the guy who says "fuck it, I know this will look, age and heal like crap, but i'll take your cash." All the time banging rainbows up their ass telling them how good of an idea it is to keep them and their dumb friends coming back for more.
Regardless of how it will effect responsible tattooers who try to do a good, well thought out tattoo for the benefit of their clients. Just gotta do what I can to sleep at night, like trying to explain to people that upside down is upside down. I try. If they get it, awesome. If not, I'll at least try to do it clean.
Sorry for the ramble. I just felt it on this one. I felt that I need to make an ass of myself on the internet. Word.

All of the above!
ALso:
The healthier you are the more prepared your body is for what's about to happen to it. Try not to come in hungover, get a decent nights sleep, eat a good breakfast, and lunch, essentially come in on a full stomach, by hydrated, and be relaxed as much as you can.
I've been told that exfoliating the are you are going to get tattooed for about a week before hand helps greatly with the healing but that's more of a suggestion.
Try to keep an open mind. Tattooers are professionals(for the most part, but not always so do your homework!). We have a wealth of knowledge we can bring to bare at any time for you, so take advantage of that. You will get a great tattoo. A tattooer who cares won;t talk you out of your idea, but might help you do it in a way that transcends your personal whims and trends, and will age gracefully, and compliment you as a person. Though it may be somewhat different than what you initially had in your head. Try to be a little malleable, and trust your tattooer. Try not to be some emotionally attached to every single detail. Remember: you aren't thinking like a tattooer. You think like a person who likes certain images and is used to seeing things on t-shirts, computer screens, and prints. Sometimes things don;t work in skin and we try like hell to make things work the best for you.
Try to remember that as much as tattooing has become a main stream product for most clients, it's still a hand made craft to us. If you are expecting hospital levels of sterility, Professional attitudes and expert technique then see us, not just treat us, but SEE us as professional craftsmen/women. Most of us have your best interest at heart because we can and do see the big picture. We are looking at your tattoo in our heads 10 years into the future. At least. We just want to do a nice tattoo for you. So when a tattooer explains why an idea is too complicated at a certain size, or why there is too much clutter, or that outlining it pink may not be the best idea, pay heed to that. You are hearing the educated opinion of a craftsman.
If you want a tattoo, don;t let your significant other try to do all the talking. Be plain, and straightforward with the things you want out of your tattoo. The less we have to guess, the fast we can get on the same wave length and make you happy.
If you are on vacation and you plan on things like tanning, going to the beach, strenuous activities, swimming, hot tubs, etc. Plan to get your tattoo at the ass end of your vacation so there is less interference with healing(and we can't tattoo sun burned skin so take care of it!), but try to get to the shop at the beginning of your vacation to set the appointment up, or if possible call ahead. Many shops can accommodate walk in's at most times, but since you have a limited time, try your hardest to think ahead. Rush jobs at the last second may not be ideal especially if you want something more involved than a single sitting, quick tattoo.
Avoid food that makes you fart before the tattoo. No one wants be sniffing your pooh ghosts while they work.
Hope some of this helps.

It's easy to write off dissenting opinions as "hating" or "ego maniacal". Don't make that mistake here. Look at how you approach us instead once in a while. We are this harsh to ourselves, and each other bye the way. Not just in critiques. If you are looking for the "passive happy information machines" go somewhere else.

All of the above!
ALso:
The healthier you are the more prepared your body is for what's about to happen to it. Try not to come in hungover, get a decent nights sleep, eat a good breakfast, and lunch, essentially come in on a full stomach, by hydrated, and be relaxed as much as you can.
I've been told that exfoliating the are you are going to get tattooed for about a week before hand helps greatly with the healing but that's more of a suggestion.
Try to keep an open mind. Tattooers are professionals(for the most part, but not always so do your homework!). We have a wealth of knowledge we can bring to bare at any time for you, so take advantage of that. You will get a great tattoo. A tattooer who cares won;t talk you out of your idea, but might help you do it in a way that transcends your personal whims and trends, and will age gracefully, and compliment you as a person. Though it may be somewhat different than what you initially had in your head. Try to be a little malleable, and trust your tattooer. Try not to be some emotionally attached to every single detail. Remember: you aren't thinking like a tattooer. You think like a person who likes certain images and is used to seeing things on t-shirts, computer screens, and prints. Sometimes things don;t work in skin and we try like hell to make things work the best for you.
Try to remember that as much as tattooing has become a main stream product for most clients, it's still a hand made craft to us. If you are expecting hospital levels of sterility, Professional attitudes and expert technique then see us, not just treat us, but SEE us as professional craftsmen/women. Most of us have your best interest at heart because we can and do see the big picture. We are looking at your tattoo in our heads 10 years into the future. At least. We just want to do a nice tattoo for you. So when a tattooer explains why an idea is too complicated at a certain size, or why there is too much clutter, or that outlining it pink may not be the best idea, pay heed to that. You are hearing the educated opinion of a craftsman.
If you want a tattoo, don;t let your significant other try to do all the talking. Be plain, and straightforward with the things you want out of your tattoo. The less we have to guess, the fast we can get on the same wave length and make you happy.
If you are on vacation and you plan on things like tanning, going to the beach, strenuous activities, swimming, hot tubs, etc. Plan to get your tattoo at the ass end of your vacation so there is less interference with healing(and we can't tattoo sun burned skin so take care of it!), but try to get to the shop at the beginning of your vacation to set the appointment up, or if possible call ahead. Many shops can accommodate walk in's at most times, but since you have a limited time, try your hardest to think ahead. Rush jobs at the last second may not be ideal especially if you want something more involved than a single sitting, quick tattoo.
Avoid food that makes you fart before the tattoo. No one wants be sniffing your pooh ghosts while they work.
Hope some of this helps.

All of the above!
ALso:
The healthier you are the more prepared your body is for what's about to happen to it. Try not to come in hungover, get a decent nights sleep, eat a good breakfast, and lunch, essentially come in on a full stomach, by hydrated, and be relaxed as much as you can.
I've been told that exfoliating the are you are going to get tattooed for about a week before hand helps greatly with the healing but that's more of a suggestion.
Try to keep an open mind. Tattooers are professionals(for the most part, but not always so do your homework!). We have a wealth of knowledge we can bring to bare at any time for you, so take advantage of that. You will get a great tattoo. A tattooer who cares won;t talk you out of your idea, but might help you do it in a way that transcends your personal whims and trends, and will age gracefully, and compliment you as a person. Though it may be somewhat different than what you initially had in your head. Try to be a little malleable, and trust your tattooer. Try not to be some emotionally attached to every single detail. Remember: you aren't thinking like a tattooer. You think like a person who likes certain images and is used to seeing things on t-shirts, computer screens, and prints. Sometimes things don;t work in skin and we try like hell to make things work the best for you.
Try to remember that as much as tattooing has become a main stream product for most clients, it's still a hand made craft to us. If you are expecting hospital levels of sterility, Professional attitudes and expert technique then see us, not just treat us, but SEE us as professional craftsmen/women. Most of us have your best interest at heart because we can and do see the big picture. We are looking at your tattoo in our heads 10 years into the future. At least. We just want to do a nice tattoo for you. So when a tattooer explains why an idea is too complicated at a certain size, or why there is too much clutter, or that outlining it pink may not be the best idea, pay heed to that. You are hearing the educated opinion of a craftsman.
If you want a tattoo, don;t let your significant other try to do all the talking. Be plain, and straightforward with the things you want out of your tattoo. The less we have to guess, the fast we can get on the same wave length and make you happy.
If you are on vacation and you plan on things like tanning, going to the beach, strenuous activities, swimming, hot tubs, etc. Plan to get your tattoo at the ass end of your vacation so there is less interference with healing(and we can't tattoo sun burned skin so take care of it!), but try to get to the shop at the beginning of your vacation to set the appointment up, or if possible call ahead. Many shops can accommodate walk in's at most times, but since you have a limited time, try your hardest to think ahead. Rush jobs at the last second may not be ideal especially if you want something more involved than a single sitting, quick tattoo.
Avoid food that makes you fart before the tattoo. No one wants be sniffing your pooh ghosts while they work.
Hope some of this helps.

I made posts on the facebook page because there were at least 5 of MY designs in there. None of the stuff I posted or really anything anyone else posted was actually "Shit talk". It was people just finding out about it, and being upset. I posted something about this on another forum, so instead of retyping it all, I'm going to go ahead and copy and paste it.
"In a case such as this where the person can't even make a simple clean design she is clearly tracing shit off the net and trying to make her name on it. The owl of mine that she used isn't flash. It was a tattoo that I did on one of this forum's members as a matter of fact. The other stuff of mine that was used was from one painting that I made for another tattooer that while in flash form, was a one shot painting. No prints. So she traced it and added it to her sheets. These are all in a book that she was selling in Philly. Making her name off designs that obviously aren't hers.
Tattooing DOES have a history of reinterpretation and appropriation, but there are lines. When I design flash for sale I don't care who tattoos it as long as it was bought from me and you aren't telling anyone that you drew it up. When it hangs in your shop or sits in your flash racks or book, my name is still on it. No problems at all. Go for it.
When you use it instead of drawing something because you're lazy and then tell someone it's yours that's bullshit. Also, when people are tracing tattoos right off the net and passing them off to the unaware masses as their "clever" designs it's bullshit.
And I completely understand, once you put it out there, it's liable to get lifted, but does that mean that opinions on such behavior can't be voiced and standards shouldn't be set against such behavior?
Absolutely not. People need to say shit to suckers. Tattooers seem to forget that yeah there.s a big tradition of lifting designs and whatnot, but there's also a tradition of protecting what's yours. Either by booby trapping it, making sure your name is ALWAYS attached to it, or by keeping it off radar. In this economy I'd love to be the off the radar guy. Just can't make it work, and if I'm spending the amount of time drawing, researching, reading, collection references, and building a stylistic vocabulary that is at least a little my own, then yes, I should be protective of it.
There's also the thing where tracing, and repainting flash by long gone, or otherwise retired old timers is different than repainting and then SELLING under your own name a bunch of shit being done by today's current people.
Shit's gonna happen, people are lazy, everyone LOVES to say there's nothing new under the sun, but it doesn't make it right or true. Chick is a thief. Ain't nothing on those sheets hers and a huge amount is from current people tattoos. Not even flash. She was at our booth in Philly this weekend. She didn't even buy my set after selling her book with my shit in it."
So to the person who was saying these things were never meant to be made public, and they were for personal use and to show clients, or to show clients, why even do that? Why trace my shit to show HER clients? So the people who don;t know ay better will see those designs as hers. That's not cool. Her illness aside, it's still a crummy thing to do to a lot of people.
I take issue with how You've come in here using "our favorite medium to talk shit" and try to talk to us like we're 12 year olds. Sorry she's in a bad way with cancer, but my sister is fucked to the nines with cancer but I still think she's the shittiest person I know. If this was truly about the merits of the sketchbook, then just stick to that. Don;t bring up things that don;t matter to the argument to just try to drum up some sort of viewpoint on her like she can't be called out on this shit.
I was AT Philly. She was in my booth. Talked to me. Still sold sheets with her name on in and mine, and other tattooers designs on them. None of those pages said anything like "designs by Wells, re-imagining by Jeiven." Which is kind of the thing you do when selling some shit that isn't yours. I didn't even know about this shit until a few days ago or I would have said something. And when get to Brooklyn next week I AM going to talk to her. Like an adult. So save the "you guys are all shit talkers" crap. Some of us are pissed.
Look. I'm no tattoo genius. I'm just a dude making tattoos and trying to make clients happy like everyone else, but I work my ass off to do so. My library is huge and very little of that is tattoo books. I spend hours upon hours drawing and re drawing. Again, I'm nothing special, but why can't she do that if her stuff is supposed to be so personal? Go to museums and collect old books. Not facebook tracings. The sketchbook you said was so AMAZING is 98 percent CURRENT tattooers drawings. Not old Jerry flash.

I haven't been tattooing very long, so I feel awkward replying to shit like this. But here goes.
I like the act of tattooing. I love watching pigment go in the skin, seeing the line as it's being pulled across the stencil. I love it. So when I get requests for annoying shit, or things I'm sick of,(and denying that you ever get sick of shit is fucking retarded. We're humans. We get sick of shit. Period.), I try to just get past it in my head and think about the application. Not that I'm applying a tattoo that I hate, but that I'm applying a tattoo at all. And get right back into that mindset of enjoying the work aspect of it.
Without trying to sound like a wagon jumper, I too like tribal. I love watchign the black just go in solid as fuck. I know this dude is just some dude looking to look just like his boys, but in my head I'm thinking, "man, this shit is going to make your buddies tribal look like shiiiiiiiiiiiiit!". I just try to get in that zone as much as I can.
The clients though....
None of us can control the chaos that is our client base. That is the unknown quantity part of the job. Lots of shitheads, and lots of people who don't actullay want tattoos. They just want their very own "me too, guys! I did it too! See!" story. They spend hours trying to find the least tattoo-ish, most benign design possible and stick it somewhere no one will ever see it, because to them it's just proof that they did it too when the stories start flying.
I try very hard to pick my battles, read clients and choose which ones would be receptive to some swaying. Not into something completely different to stroke my ego, but into a better planned out version of what they want. Just gotta pick the battles.
Can't do it with everyone or you burn out, and you can't responsibly be the guy who says "fuck it, I know this will look, age and heal like crap, but i'll take your cash." All the time banging rainbows up their ass telling them how good of an idea it is to keep them and their dumb friends coming back for more.
Regardless of how it will effect responsible tattooers who try to do a good, well thought out tattoo for the benefit of their clients. Just gotta do what I can to sleep at night, like trying to explain to people that upside down is upside down. I try. If they get it, awesome. If not, I'll at least try to do it clean.
Sorry for the ramble. I just felt it on this one. I felt that I need to make an ass of myself on the internet. Word.

Absolutely. I mean, don't get me wrong, I love letting it out there when someone let's me, or asks for that kind of thing, but even on those weeks where I do a ton of custom cool shit, I get burnt on it and just want to do kanji. Something I don't need to analyze and think through the whole time. I guess a great situation is where you get a good variety. Cool concept shit, old flash, ultra common stuff, random client drawings, old stand byes...etc. Pays the bills, keeps you on your toes, helps build the portfolio and keeps you humble and grounded.

I haven't been tattooing very long, so I feel awkward replying to shit like this. But here goes.
I like the act of tattooing. I love watching pigment go in the skin, seeing the line as it's being pulled across the stencil. I love it. So when I get requests for annoying shit, or things I'm sick of,(and denying that you ever get sick of shit is fucking retarded. We're humans. We get sick of shit. Period.), I try to just get past it in my head and think about the application. Not that I'm applying a tattoo that I hate, but that I'm applying a tattoo at all. And get right back into that mindset of enjoying the work aspect of it.
Without trying to sound like a wagon jumper, I too like tribal. I love watchign the black just go in solid as fuck. I know this dude is just some dude looking to look just like his boys, but in my head I'm thinking, "man, this shit is going to make your buddies tribal look like shiiiiiiiiiiiiit!". I just try to get in that zone as much as I can.
The clients though....
None of us can control the chaos that is our client base. That is the unknown quantity part of the job. Lots of shitheads, and lots of people who don't actullay want tattoos. They just want their very own "me too, guys! I did it too! See!" story. They spend hours trying to find the least tattoo-ish, most benign design possible and stick it somewhere no one will ever see it, because to them it's just proof that they did it too when the stories start flying.
I try very hard to pick my battles, read clients and choose which ones would be receptive to some swaying. Not into something completely different to stroke my ego, but into a better planned out version of what they want. Just gotta pick the battles.
Can't do it with everyone or you burn out, and you can't responsibly be the guy who says "fuck it, I know this will look, age and heal like crap, but i'll take your cash." All the time banging rainbows up their ass telling them how good of an idea it is to keep them and their dumb friends coming back for more.
Regardless of how it will effect responsible tattooers who try to do a good, well thought out tattoo for the benefit of their clients. Just gotta do what I can to sleep at night, like trying to explain to people that upside down is upside down. I try. If they get it, awesome. If not, I'll at least try to do it clean.
Sorry for the ramble. I just felt it on this one. I felt that I need to make an ass of myself on the internet. Word.

Tattoo flash painting isn't really painting even if you use a brush. It's "illustration colored with a brush". I mean people didn't even really consider Rockwell a painter. He was an illustrator and his paintings(illustrations) were far better than what 99.999999% of us are all putting out. Outside of flash, and flash style paintings I don't really do that stuff much anymore. I did it for years before I was a tattooer so I'm going the other way that a lot of people are going. I'm not branching into painting, I'm leaving it alone for more tattoo based illustrations.
Weird.

next is our counter guy, Matte Wagner.
He does a lot of cool collage shit.
His is titled "Evolutionarianism"
It's a digital collage on paper. Mounted on wood.



Here's mine. It's a front and back of the same imaginary person.
They are titled: "A Travelling Man 1 & 2"
Ink and watercolor on paper. Mounted on wood, and shellaced.
72x36







Thanks. Hope you enjoyed.

I haven't been tattooing very long, so I feel awkward replying to shit like this. But here goes.
I like the act of tattooing. I love watching pigment go in the skin, seeing the line as it's being pulled across the stencil. I love it. So when I get requests for annoying shit, or things I'm sick of,(and denying that you ever get sick of shit is fucking retarded. We're humans. We get sick of shit. Period.), I try to just get past it in my head and think about the application. Not that I'm applying a tattoo that I hate, but that I'm applying a tattoo at all. And get right back into that mindset of enjoying the work aspect of it.
Without trying to sound like a wagon jumper, I too like tribal. I love watchign the black just go in solid as fuck. I know this dude is just some dude looking to look just like his boys, but in my head I'm thinking, "man, this shit is going to make your buddies tribal look like shiiiiiiiiiiiiit!". I just try to get in that zone as much as I can.
The clients though....
None of us can control the chaos that is our client base. That is the unknown quantity part of the job. Lots of shitheads, and lots of people who don't actullay want tattoos. They just want their very own "me too, guys! I did it too! See!" story. They spend hours trying to find the least tattoo-ish, most benign design possible and stick it somewhere no one will ever see it, because to them it's just proof that they did it too when the stories start flying.
I try very hard to pick my battles, read clients and choose which ones would be receptive to some swaying. Not into something completely different to stroke my ego, but into a better planned out version of what they want. Just gotta pick the battles.
Can't do it with everyone or you burn out, and you can't responsibly be the guy who says "fuck it, I know this will look, age and heal like crap, but i'll take your cash." All the time banging rainbows up their ass telling them how good of an idea it is to keep them and their dumb friends coming back for more.
Regardless of how it will effect responsible tattooers who try to do a good, well thought out tattoo for the benefit of their clients. Just gotta do what I can to sleep at night, like trying to explain to people that upside down is upside down. I try. If they get it, awesome. If not, I'll at least try to do it clean.
Sorry for the ramble. I just felt it on this one. I felt that I need to make an ass of myself on the internet. Word.

Next is Zack Spurlock.
His are titled "untitled"(panther) and "Chains"(jap)
Liquid acrylic on paper. Mounted on wood.








Next is Ricky McGee
His are both "Untitled"
Charcoal and acrylic on wood.

next is our counter guy, Matte Wagner.
He does a lot of cool collage shit.
His is titled "Evolutionarianism"
It's a digital collage on paper. Mounted on wood.



Here's mine. It's a front and back of the same imaginary person.
They are titled: "A Travelling Man 1 & 2"
Ink and watercolor on paper. Mounted on wood, and shellaced.
72x36







Thanks. Hope you enjoyed.

I'll put a few more up. These are on my Bookface page anyway.
Page I painted for Nick Colella:

One I did for Mike Shishmanian:

I finished this about a month ago. Just got prints made through Shirts and Destroy.
Ron Henry Wells | Webstore