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Hi guys I am Theodor from Romania..I am a tattoo artist and i like to draw and paint..
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I build Kustom tattoo armrests and tattoo workstations , 3 styles available rotor, tripod and a all aluminum travel model. All products are made in America using America materials and guaranteed for life... Instagram @therealcaliirons or give me a call at 951 533 4184
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I am not a motorcycle guy but a lot of my friends are and have noticed a few LSTers as well so thought I would share this article my friend, Eric Ahlquist, took the pictures for: http://www.bikeexif.com/ducati-supersport-custom?utm_source=feedburner&utm_medium=email&utm_campaign=Feed%3A+Bikeexif+%28Bike+EXIF%29 WALT SIEGL DUCATI CUSTOM If there’s a middle ground between the reliability of a modern bike and the charisma of a classic motorcycle, it’s occupied by guys like Walt Siegl. Walt is a master craftsman who gives vintage machinery a new lease of life, and if something isn’t quite the way he wants it, he’s got the skills to make it himself in his New Hampshire workshop. According to Walt, “The owner of this bike already has a couple of late model Ducatis, and wanted another princess from Italy—but with classic curves and low maintenance.” Although this bike looks like a resto-mod to the untutored eye, it’s effectively a ground-up custom. Old school craftsmanship just oozes from every weld. The custom trellis frame is built from 0.65 chrome moly—TIG welded and heat stress relieved—with a 24-degree rake. (The design is based on the iconic bevel frames.) At the front, fully adjustable Showa forks lead to Ducati trees, custom risers and custom bars. At the back, Walt has selected a stock 900SS swing arm and shock body, but fitted an Öhlins spring for better damping. He’s also modified the rear wheel spacing to accommodate a late-model cush drive. The engine is from a 1994 900SS, upgraded from 904 to 944cc with a big bore kit. Performance gets a further boost from 39mm flat slide Mikuni carbs, with custom manifolds and gorgeous polished Gianelli mufflers. The engine covers, painted cases and cylinders are polished to match. Walt built a custom tank and tail—painted by Nate Weiner—and got the custom seat covered by Kevin Rothe. European Cycle Services supplied a wiring harness, allowing Walt to position the electronics under the tail. Up front are a Motogadget tachometer and a Monster headlight on a custom bracket; at the back is a genuine 70s CEV taillight. If this bike whets your whistle, Walt can build something similar for you: he tells us he’ll be offering “a limited series of air-cooled customs with Ducati engines by spring 2011, similar to this bike.” The price will be in the low 30s; if you have a bit more to spend, you’ll be able to specify an ‘R’ model priced in the low 40s, with carbon fiber bodywork and full Öhlins suspension. Tempted? Check this retro Ducati racebike and radical custom Harley Sportster for more examples of Walt’s work. [images by Eric Ahlquist.] If you want to see more of his work and maybe hire him, here's his site: http://www.ericahlquist.com/
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Now I don't mean what tattooer you fanatsize about with their shirt off, or want to have babies with, or even maybe take out to a nice seafood dinner. I think we can all relate to seeing a tattoo someone has done and it either introduces us to that person, or suddenly puts that persons work in a new light. Then for the next couple weeks, months, or even years, they are the Michelangelo of tattooing and you wear out the imaginary like button on your iphone. A couple years ago it was Richie Clarke, then I would say John Collins, then Virginia Elwood, now I would have to say it's Deno Jr, and I am not really sure who or what is going to catch my eye next. We have tons of threads about best tattooers and giving tattooers credit and I guess in a way this is just another similar thread, but I guess in a way I feel different about it in the sense that we all can recognize good tattoo work, but in this case it's not even really that you think that person is technically the best tattooer out there, but it's something about their tattoos feels right at that moment in time, then you see someone else's tattoos and it starts all over again. I mention Deno Jr, six months ago I was kind of over the whole stylized, real bare bones traditional stuff and that would be the farthest thing I would be seeking out, but their is just something about his tattoos that made me say fuck yeah. If I am wrong then this thread can die, but if anyone else is out there like me let's hear them.
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so i live in wisconsin. there is absolutely no shortage of obese people here. this topic is NOT a bash on them. i was tattooing a gay bear the other day. had him sit in a chair to outline his half sleeve. i need him to lay down to outline the inside of his arm. he layed down, no problem. i did need him to sit up for a second to readjust something. he got off the massage table and sat in the middle. we heard a very loud SNAP!!!!! he sat down and i told him to stand up. i turned the thing over and one of the wooden support bars snapped in two! he was mortified!!!!!!! sooooo embarrassed. i was just relieved that he wasnt hurt. hes a cool guy getting some cool tattoos. i was able to finish the outline with him sitting down. so i have to get a replacement table. but now im super scared to get another like the original one because i dont want it to break while a big person is on it. ive been looking around online and found one made with metal legs. welded aircraft aluminum. anybody have any tips on a massage table that i can fold up? ive been freaking out over this the last day and a half. i just dont want anyone to get hurt. im sure i tattoo an obese person 3 or 4 times a month. by obese i guess i mean over 300 pounds
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Let me first state that I will not besmirch the name of several fine artists with a "Who is the slowest tattooer?" thread. Instead, let's discuss the fastest of the fast. I'll try to limit this to personal experience, but feel free to mention lightning-fast artists you've witnessed, too. Our very own Scott Sylvia inspired this thread. I was at Forever Tattoo in Sacramento over the weekend and Ian Carder showed me the Rock of Ages backpiece that Scott put on him. He said it took about 15 hours. I guess I should stop being surprised at this point, but damn. Horitaka is also really fast. I have a black and gray falcon from him that takes up most of my shin. It took him an hour. Theo Mindell put a huge dragon head on my knee in only 3 hours--and he kept apologizing for taking so long! I'm not a tattooer, but it seems like the knee cap is moving target. That skin shifts all over the place. And I've never been tattooed by Filip Leu, but no fast tattooer thread would be complete without him. I was lucky enough to see some of the work he did while at Diamond Club, like this tiger that (I think) he completed in 5 hours: Along the same lines, I've never been tattooed by Robert Atkinson, but holy hell, is that guy fast.
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This is something that I've always had a dilemma with. So here is the question, we all started off somewhere and usually not knowing very much about tattoos or what makes a proper tattoo or searched for artists based on a particular style. So what was it about someone's portfolio that made you want to get tattooed by them? Was it originality? Was it the efficiency of the work and by that I mean solid clean lines, smooth shading, great healed products, or was it just the "cool" factor of your friends getting tattooed there first and recommending that said artist to you? I'm saying this because I'm at a loss for the direction I want my work to go. I'm in a small town with an overabundance of awful tattoo artists who boast "custom" and "amazing" work but it's all shit. Usually I just do butterflies, tribal, and gnarly new skool pieces all day long but my portfolio is filled with only traditional style tattoos and portraits. Most of these being on my closest friends. So with that being said I want to keep the customer and collector in mind for once and not peers. What is it that you would rather see? A wide variety? Or just the style I prefer the most? This question can apply to anyone its just a thought I've been having.
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- tattoo artists
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so my cheap-ass-built but frickin' expensive travel armrest i got off ebay 2 years ago finally gave up the ghost this weekend, but what did i expect really. i got it because it was small built and easy to carry. now, i know i dont really need one, and theres been a few times i have just used my knee/tissue roll/back of chair and i will again, of course. but for those lazy times, can anyone recommend me where to purchase a fairly small, sturdy armrest? ive checked out ebay (i know i know) and a few high profile tattoo supply online shops but im looking to see of any others i may have missed out on. feel free to message me the url or join in with how frustrating it is to find good hardy armrests! haha
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Whats your favorite tattoo artist blog? you know, the one that your always checking for regular updates. please share! I know there is already a list in the http://www.lastsparrowtattoo.com/forum/member-referrals/43-lst-preferred-tattoo-professionals.html thread and its a good start but thats only the beginning!
- 35 replies
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Hello Everybody My name is Michael Cowasji. I am a Tattoo Artist. I am new in this forum.
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I read this earlier today and loved it! It highlights the reality to wannabe apprentices compared to the Kat Von D ideal of living like a rockstar. Can't see that it has been shared already... hope this isn't a duplicate thread! I am looking to gain an apprenticeship at present, and I know how difficult it is to get someone interested in my work! It isn't easy but would be worth it! If you are thinking about getting into the industry, give this a read and a lot of thought! Those of you already experienced and in the industry, it would be awesome if you'd like to add your thoughts along this subject too. Click out the link / or continue reading below... Brandon Collins: “So you wanna be a tattoo artist?” | TAM Blog "With the invention of tattoo “reality” shows, the average un-tattooed or mildly tattooed person is led to believe that tattoo artists are superheroes: they can draw an entire back piece in 15 minutes, go out to the clubs all night and still come to work on time, able to tattoo whatever you want, wherever you want it. That sounds awfully appealing to some kids–but it couldn’t be any further from the truth. Anyone who has spent time in a tattoo shop knows that most tattooers are your average hardworking dads and moms with mortgages, car payments and phone bills,not prima donna rockstars that get VIP everywhere and drive Lamborghini’s. Those TV shows make a mockery of our profession and because of them, our trade has been diluted by half-ass, mediocre tattooers. Not only have these hacks not paid their dues, but they pump out crappy $20 tattoos that the average joes doesn’t even realize are shit. Before deciding you want to be a tattooer, think about this: Say my appointment for the day doesn’t show up, so that $400 I needed to pay rent and put food on my table will just have to wait. If YOU go to work and no one shows up, YOU still get paid and so you can afford to sit home home and watch “TATTOO SCHOOL” and say to your stoned roommate “bro, I can totally do that shit!”. You get breaks and paid holidays, insurance and an guaranteed paycheck every week. We don’t. We work 50-60 hours a week tattooing, drawing and painting with no medical benefits and no retirement funds. Don’t listen to your family. That skull with the lightning bolts and a joint in its mouth you drew in the 8th grade ISN’T amazing. Your parents, close family members and friends are always going to tell you that you are a natural artist. Their biased encouragement will only give you the false confidence to go into a tattoo shop and get your feelings hurt. Tattooing isn’t a hobby or something just to pass the time. It is a profession and a sole mean of income, so if you think we will welcome you and your “tat guns” into our trade with open arms, you are sorely mistaken. Apprenticeships are meant to be hard–to weed out the undeserving. If you are lucky enough to get one (and I do mean lucky) you will be taught a skill that can carry you for the rest of your life and you are forever indebted to the person who taught you. There are those dip-shits that don’t have the balls to go into a tattoo shop and try to get an apprenticeship – or they did and were tossed out, just order some “guns” online and “do tats” out of their house. Not only is this completely disgusting, unsanitary and unethical, but also illegal. Don’t even think about doing that. Those fucktards can do some real and irreversible damage to someone not to mention potentially spread disease. Most tattoo artists don’t make a lot of money. Tattooers get paid by the hour but that money isn’t dumped right into our pockets. We have to give a percentage to the shop and pay for supplies and what-not. In reality we only get a fraction of what we charge for your tattoo. So when you tell me, “Dannnng $100?… Thats a lot, you must be rich!” and I want to run a steel spike through your head, you will understand why. As I mentioned before, if an appointment doesn’t show up or you don’t have anything scheduled, you don’t get paid. Imagine going to your job at Home Depot or where ever and working a full day without pay. So next time you have the urge to be like Kat Von D or whatever rockstar tattooer is the flavor of the week… remember this: Countless hours of work for minimal pay and no benefits is the life that we have chosen and will defend with extreme prejudice. Do yourself a favor: keep your day job, and leave our profession alone." Written by Brandon Collins Brandon owns and works at Nightmare Studios in Reno, NV. Welcome to Nightmare Studios
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me and a buddy were talking about machines the other day. i recently aquired an "original" percy waters machine. the previous owner said that he did bastardize it because the vise sucked...!!!!!! wtf!!!! so they chopped it off and just put a new on where the yoke would be(brass)..i asked him what else had been done to it..he said nothing that he knew of except for springs...well that got me to thinking..this machine has a capacitor..waters died in 1952 if i am correct...when did the first capacitors appear on machines?? i thought it was late 60s or 70s but i cant remember who or if that's even close to right...one step closer to that free shirt!! whoo hoo!!!
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What has been your experience traveling with your tattoos? Where’d you travel to?
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- bands
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I know that there is Tattoo artists and collectors here. I just wondering what your thoughts are on the Tattoo artists that sign their work. Good idea, bad idea, or do you care either way? I've been surfing on the web and have seen some tattoos with what appears to be a signature along with it. I personally do not think that its a good idea. You went to an artist that you choose and you know who it was, if they have a unique style everyone will know who did the tattoo. That alone should be the signature.
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I was re-introduced to him via this blog post by Tomas Tomas. Fucking amazing stuff! Any more pics or stories, I would love to hear them!! Remember this? Jonathan Shaw (NY.2000?) « Tomastomas108's Blog Love the backpiece! http://www.scabvendor.com/wp-content/gallery/TATS/13.jpg
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- fun city tattoo
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How far are you willing to travel to get tattooed at a certain shop? And what shop?
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Marcus Kuhn's - The Gypsy Gentleman Here is a new thing that Marcus Kuhn has put together. It should be pretty cool.
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Glad to see forum communities like these exist. I work at a museum and the spare time that I do have I usually draw or photo a lot of graffiti for local graffiti artists. I didn't really get into tattoo's til around 2004 sometime. It had grown on me over the years. I love tattoos. I've met some of the most amazing and talented people who do tattoos in Detroit, New York and @ many Tattoo Conventions. I love art all kinds it's just awesome forums like this is around.
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This thread is for those who want to share a little bit of their personal information with the rest of us. Most of you I only know by username and avatar, but because of our mutual passion for good tattoos I have grown curios to get to know you a little better. Internet forums are most often overcrowded with people saying all kinds of shit they don't dare utter in real life, but this place is different, and to me really precious. It's the only forum I even bother to be a member of. Anyways, my name is Ivar, I'm 29 years of age, and Oslo is the city I call home. I grew up on the country side in Telemark, but moved here in 1999. I work for a wholesalesbusiness that imports musical instruments and distributes them to all the music shops around in Norway. In my spare time I play guitar in one band and drums in another. My passion for tattoos and tattoo art started around 06 when I decided I wanted a halfsleeve. Luckily I went to a good shop at that time, which was pure coincidence since I didn't know jack shit at that point. I played in a hardcore band at the time, and I wanted to look the part and be cool. Its really fucking embarassing, but that's how it started... This is me... If anyone wants to add me on facebook send me a pm. I know this is not for everyone, but I thought I'd give it a go anyways :)
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How did/do you choose your first tattoo(s)? What did it mean to you. Are you happy with it or would you do it differently today? Can we see a picture and hear the story that assisted you in placing it on your body?
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Since I'm left handed, I thought this might be a good topic. How many of you guys are left handed tattooers, and if you are, do you use left handed machines? I've never used one, but does it make that big of a difference? I've only been tattooing for a few years, and never really thought about it until recently, but does anyone else have experience using them?
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I thought I'd start this thread along the same sort of vein as tattooer's deserving some recognition ,except more like shedding some light on the classics.So i'll kick this off with one of my all time favorites,N.Y.C's finest -Tony Polito
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So in response to recent inquiries about Chicago and its place in tattoo history and to try to up the ante here at The Last Sparrow Tattoo Forum I will try to breakdown what I know and have acquired about tattooing in Chicago from early on up until present day. All of this will revolve around the history of Chicago Tattoo because honestly I don’t know or care to know about any other present day shops in the city. This of course will give a broad range of information at first because most of the photographic history was lost to the trash or to the flea markets at the time. The stories of South State Street are very few, 99% of the tattooers that dominated that street in its hey day are long gone. There are a few still left and their stories are amazing, some look upon those times fondly as the last truly honky tonk time in tattooing other look upon South State as Chicago’s tattoo demise. The 4-block area of South State Street in Chicago from the early 1900s to the mid 1960s was considered the worst red-light district that ever existed in this country to date. It consisted of skid row flophouses, porn theatres, liquor stores, wino bars, shooting galleries, arcades, and of course in every corner of every arcade were the tattoo shops. Chicago was supposedly home to hundreds of tattooers through out the early years. All making tattoos cutting their chops and making their bones on the abundance of fresh sailors from Great Lakes Naval Base just north of Chicago, and the working class folks looking to let loose on South State Street. These first photos show the very early days of south state notice in one of the photos the Armed Services recruiting center, this later became and Army Navy Surplus store. This is one of the main reason I believe that attracted the tattooers to South State they had a fresh abundance of young men signing up to serve their country and at that time service men especially sailors and tattoos went hand in hand. These other three photos show the burlesque barkers looking to get customers in to see the show Thanks for your interest, more to come later
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Tattoo stigmas? Do they still exist? Do you have one or some? Have you been on the other side of a stigma? If so, where (city) and what was the stigma?
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- tattoo artists
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