Jaycel Adkins

Hi Lochlan,

I just wanted to express my own thanks to your team for putting up this forum community on this subject. I joined just a week ago and learned alot, burned my hand once, but survived it, no worries.

I would like to speak as someone who has a fair amount of experience posting on other forums, on other topics, genre stuff mostly, that your team put together a nicely done forum.

It's a hard thing to pull off, I'm sure some hair as been pulled, some screaming of WTF!

The video interviews, the galleries, the threads, the topics, the posting etiquette...for the most part :P, is all pretty nice.

Great job and looking forward to what could be next.

Best

Hello,

After taking a step back and thinking some on this question of apprenticeship vs. schools, given all the pitfalls and backlash against each, I think this:

Disclaimer: I am educating myself about tattoos without any designs whatsoever on wanting to be an tattooer, but if I did have that as my goal I would do the following:

Do all the following while holding down a full time job, if you can't, pack up your kit and buy a tie, stay a 9 to 5er.

1. Educate yourself about the history of tattoos, world-wide, spending hours a day just reading and studying the work of various tattoo lineages and cultures from true tribal up to present day.

2. Buy two tattoo machines: one to take apart and learn how it is put together, the principles behind it's construction, the craftsmanship involved, etc. The other to use on yourself and for #4.

3. Learn how to make your own needles, and any other pieces of equipment that is necessary.

4. Call up a butcher and see if s/he will let you buy a 40 pound case of frozen pork skins, use that to teach yourself to lay down a straight line, etc. Spend hundreds of hours to teach yourself to put down CLEAN lines. I have no idea if pork skin will work, but it's better than nothing for a newbie. And better than learning on someone elses skin, given what I have seen on this school website is profoundly unethical. Turn your work into chicharons, when you are done....if you're brave.

4. Educate yourself about all the health concerns involved in tattooing. Find classes at local colleges, university, online, whatever. Be able to pass any of the tests with 100%, no wrong answers.

5. Umm....learn how to draw! Take classes, buy books, dvds, youtube videos, whatever to make yourself a good illustrator, to be able to put what is in your head down on some paper exactly as you meant it look.

6. Learn human anatomy, not just for drawing, but since the skin is your ultimate canvas, be aware of what is beneath it and how that can effect for good and bad your tattoos. Study the bodies of old people, see how age and gravity affect the flesh, plan the tattoos of your clients, accordingly.

7. Buy the book, Talent is Overrated and The Outliers, learn what the 10,000 hour rule for Mastery is, plot your self-education and career based on that.

8. GET TATTOOED BY GREAT ARTISTS!!! That has been the biggest takeaway for me from reading/watching interviews of great tattooers, whether it's Shige of Yellow Blaze or Tim Hendricks, you want to learn how to tattoo....then get tattooed!

edit: 9. Find a good tattooer who is willing to look at your drawings, etc. and give constructive criticism, i.e. please leave your ego at the door, appreciate that someone, who is probably busy and dubious, is taking the time to give you some bits of education/advice. And when you do start tattooing other people, and you do get some recognition, make sure to have a category on your blog titled "People I Want To Thank," and (with their permission) list them and the contribution they made to your craft, while taking responsibilities for all 'fuck-ups' as your own: Give Thanks, Take Responsibility.

If tattooing is your passion, your craft, your livelihood and how you are going to spend nearly half of your actual total hours on this earth doing, then don't listen to anyone, twiddle your thumbs hoping/wishing/praying/begging for an apprenticeship, just put a plan together, put your head down, and GET TO WORK!!

I'm not a tattooer, but I believe tattooing is a craft, and craft is something that I know a little about. Some supporters talk about paying your dues, via an apprenticeship by being demeaned, harassed, bullied, hazed, etc.

I'm sorry, but that's a bit of a joke.

edit: The sense I get for the 'paying your dues' portion of an apprenticeship, oddly the only part most people seem to want to talk about and empathize, is that it is basically a long fraternity hazing, designed to weed out those who are not serious, that are not dedicated, disciplined, respectful of the craft they are about to be initiated into.

Whether someone is willing to be constantly 'punked' for months on end, proves that? Really?

Does that actually accomplish it's intended purpose? Or are people just doing what was always done, without thinking about it, or because it's funny?

There are great tattooers, who never went through an apprenticeship, but stayed up late working on tattooing problems, being forced to reinvent the wheel, coming up with a new styles by virtue of that, alone, not having anyone to tell them they were doing good or bad, wondering if all these hours were a waste, a waste that no one but them knows about or cares about, living with that gnawing fear in their gut that they are going to fail themselves.

Which do you think commands more respect, the above, or the guy/gal that got to be a punchline for a crew and had to clean some toilets....

Edit: if you were able to get both things from one teacher/shop, that's Awesome, and I hope that you share your story, but thinks that type of relationship is pretty rare.

Which one really paid their dues?

No offense meant to people who have done their apprenticeships, but feels there is a third way, a just as valid one.

Looks forward to hearing other people's thoughts/opinions, what you would add, have you tried to use pork skins? etc.

Hello Mr. Capobianco,

Thank you for posting a reply to my questions.

As is the nature of most things, your answers lead me to think of more questions!

I very much appreciated your point of view concerning my questions, particularly in regards to the following:

effect of supply/demand on the tattoo industry

Like most of the public, I mistook the growth of tattoo culture in the general public's awareness to be translated into more clients overall for everyone. But, it appears to have just forced a sort of 'death of the middle' cycle, where 'popular' tattooers at the top of the pyramid are able to support themselves via long wait lists, merchandising, etc. that are an outgrowth of 'fame.' Then at the bottom of the pyramid, you have all the people who are recent 'scratchers', who are opening fly by night shops, 'home-based' businesses, etc. Then you have artists in the middle, who are good to great, in terms of craft getting out-branded from the top and then undercut in terms of pay, from the bottom.

In terms of volume of work for graduates of trade schools vs. tattooists, that point is spot on, once I started to think about the brass tacks of it, prompted by your reply.

My hope had been that people seeking out to be tattooed would be much better informed, given the exposure the public has had to what great tattoos look like via the internet and yes, even the Ink shows on the network Who Must Not Be Named.

Using those shows as an example, how someone can see the quality tattoos put out by a Chris Garver, Tim Hendricks, or Corey Miller and then get some of the tattoos that have been linked to in relation to this 'school' is jaw-dropping.

and how far short current 'schools' fall from even the levels of professionalism found in other arts and trades.

edit: I want to acknowledge that I know that you are against the idea of schools, period. What follows are my own thoughts.

I think that any school should be accredited in some fashion. The fashion is where I think this notion of tattoo schools ultimately falls to pieces, probably, like you state, given ego and the ole mighty dollar.

While I think that you are right, that a fully-accredited tattoo school that is a stand alone, like the Culinary Institute of America is, in the field of cooking, is a bridge too far.

But there could be a middle ground, by having tattoo artists partnering with local art schools/colleges/universities in some form of an interdisciplinary program where an apprentice could learn some fundamentals: health concerns, anatomy, drawing, etc. and then an internship in a shop for six months or a year. That gets them to an Associates of Arts Degree. Then to get their Bachelors, they have a traditional apprenticeship in a shop that ultimately results in producing a portfolio that's graded by both professors and tattoo artists.

I'm sure that many tattoo artists will immediately reject such a notion as outside interference, etc.

But, while everyone has been concentrating on the school and instructors, I do believe some of the students have entered the school for reasons that are not entirely mercenary, namely, bad apprenticeship experiences. For some it is a cop-out, I'm sure, but I'm sure that it's not a cop-out for all.

In terms of barriers to entry, I think that four years of schooling, namely the length of time and the cost, since college isn't cheap, anymore, though with accreditation, hopefully school loans can be utilized can serve as a sort of gut-check.

Not to be presumptuous: but, in the end, for tattooers and the tattooed, what matters is the quality of the tattoo, period.

edit: But I think you are 100% right that the idea of, as someone else has pointed out, creating a 'puppy-mill' that churns out people who think they now can tattoo every two weeks is the death of tattooing. But I think it might be a symptom of another problem, namely the current state of apprenticeships.

edit: I think that if the fundamental mode of teaching in tattooing in breaking down for the vast majority of the field, for a host of reasons, then freezing apprenticeships, while alleviating the harm of a surplus of 'tattooers' will likely not fix the underlying problem that has lead to the rise of tattoo schools, namely poor apprenticeships. I think there certainly are people who are interested in not paying dues by going to schools, but I think most people want to be respected in their field and by their peers, it's just human nature to want that.

Again, thank you for your posts on the issue of schools and for replying to my own questions, which you answered in a great manner.

My apologies for the long comment.

Hello Mr. Capobianco,

Thank you for posting your thoughts about this topic here.

I am not a tattoo artist, but I am interested in your thoughts about the following parallel, which I think is a valid one.

There are numerous arts/trades, whose knowledge was once only passed from parent to child, master to apprentice, whether in a family business or guild/association. Areas such as painting, drawing, medicine, carpentry, baking, cooking, dance, etc. etc.

Eventually, each of these arts/trades formed schools or were subsumed into traditional university or colleges.

I do not believe that transition has devastated those arts/trades.

If someone can learn how to cook and feed people in a school setting, why, in principle could someone not learn to tattoo in a school setting?

People learn to become doctors, soldiers, lawyers, physicists, etc. in a school setting.

But tattooing can only be properly learned in a Master/Apprentice relationship?

I have not seen this show, so cannot speak to it specific merits, but as an overall guiding principle for the craft of tattooing:

Why is the master teaching an apprentice relationship the only valid way of passing knowledge in this particular craft?

Could a school be crafted that would offer a valid way to pass along tattoo knowledge?

In my own profession, cooking, I think that a merging of the two, schooling and apprenticeship would seem a promising path to take.

Thank you again for your post.

And thank you for your own contribution to tattooing, I think you have a beautiful and enduring style.