smiling.politely

It's like comparing Chopin and Black Flag. One is well constructed, technically "perfect" (whatever that means to the viewer), and is intended to come across that way. I find it well made, but kinda boring to my taste. The other, for lack of a better or less uncouth term, has balls. Strength. It punches you in the gut and gets your attention.
As much as perfection is impressive, I like balls.

It's like comparing Chopin and Black Flag. One is well constructed, technically "perfect" (whatever that means to the viewer), and is intended to come across that way. I find it well made, but kinda boring to my taste. The other, for lack of a better or less uncouth term, has balls. Strength. It punches you in the gut and gets your attention.
As much as perfection is impressive, I like balls.

Honestly, when I see black and grey pieces, whether it be portraits, or representations of statuary, I do respect the application, but usually just think "Oh, it looks like that photo." Never have I been moved in some astronomical way by a photorealistic tattoo. I do respect the craft aspect of it, but it has always boiled down more to craft than creativity to me, in most cases. Still impressive, but never spoke a single word to me.
That being said, the first time I saw the INTO THE BIG NOTHING clouds/eye tattoo by Steve Byrne, I was blown away. It spoke far more than the four words in the banner ever could. After all, simplicity is the ultimate sophistication.

"Tattoos are not an addiction; they are a collection. A tattoo collector is just like a conventional art collector who buys a painting, hangs it on the wall, and then moves on to acquire the next, unique piece. Tattoo collecting is a spiritual pursuit, while addiction is a physiological need. Addicts repeatedly take the same drug over and over without limit. A tattoo collection has variety, and it has an end. Once you collect the whole set, you're done."
-Horiyoshi III
Side note: I also have a Hello Kitty. It was done by my fiancée, is about an inch and a half wide, and took her about an hour. It's just lines, aside from color in the bow and nose. She was really trying.

It's like comparing Chopin and Black Flag. One is well constructed, technically "perfect" (whatever that means to the viewer), and is intended to come across that way. I find it well made, but kinda boring to my taste. The other, for lack of a better or less uncouth term, has balls. Strength. It punches you in the gut and gets your attention.
As much as perfection is impressive, I like balls.

It's like comparing Chopin and Black Flag. One is well constructed, technically "perfect" (whatever that means to the viewer), and is intended to come across that way. I find it well made, but kinda boring to my taste. The other, for lack of a better or less uncouth term, has balls. Strength. It punches you in the gut and gets your attention.
As much as perfection is impressive, I like balls.

"Tattoos are not an addiction; they are a collection. A tattoo collector is just like a conventional art collector who buys a painting, hangs it on the wall, and then moves on to acquire the next, unique piece. Tattoo collecting is a spiritual pursuit, while addiction is a physiological need. Addicts repeatedly take the same drug over and over without limit. A tattoo collection has variety, and it has an end. Once you collect the whole set, you're done."
-Horiyoshi III
Side note: I also have a Hello Kitty. It was done by my fiancée, is about an inch and a half wide, and took her about an hour. It's just lines, aside from color in the bow and nose. She was really trying.

Honestly, when I see black and grey pieces, whether it be portraits, or representations of statuary, I do respect the application, but usually just think "Oh, it looks like that photo." Never have I been moved in some astronomical way by a photorealistic tattoo. I do respect the craft aspect of it, but it has always boiled down more to craft than creativity to me, in most cases. Still impressive, but never spoke a single word to me.
That being said, the first time I saw the INTO THE BIG NOTHING clouds/eye tattoo by Steve Byrne, I was blown away. It spoke far more than the four words in the banner ever could. After all, simplicity is the ultimate sophistication.

Honestly, when I see black and grey pieces, whether it be portraits, or representations of statuary, I do respect the application, but usually just think "Oh, it looks like that photo." Never have I been moved in some astronomical way by a photorealistic tattoo. I do respect the craft aspect of it, but it has always boiled down more to craft than creativity to me, in most cases. Still impressive, but never spoke a single word to me.
That being said, the first time I saw the INTO THE BIG NOTHING clouds/eye tattoo by Steve Byrne, I was blown away. It spoke far more than the four words in the banner ever could. After all, simplicity is the ultimate sophistication.

"Tattoos are not an addiction; they are a collection. A tattoo collector is just like a conventional art collector who buys a painting, hangs it on the wall, and then moves on to acquire the next, unique piece. Tattoo collecting is a spiritual pursuit, while addiction is a physiological need. Addicts repeatedly take the same drug over and over without limit. A tattoo collection has variety, and it has an end. Once you collect the whole set, you're done."
-Horiyoshi III
Side note: I also have a Hello Kitty. It was done by my fiancée, is about an inch and a half wide, and took her about an hour. It's just lines, aside from color in the bow and nose. She was really trying.

"Tattoos are not an addiction; they are a collection. A tattoo collector is just like a conventional art collector who buys a painting, hangs it on the wall, and then moves on to acquire the next, unique piece. Tattoo collecting is a spiritual pursuit, while addiction is a physiological need. Addicts repeatedly take the same drug over and over without limit. A tattoo collection has variety, and it has an end. Once you collect the whole set, you're done."
-Horiyoshi III
Side note: I also have a Hello Kitty. It was done by my fiancée, is about an inch and a half wide, and took her about an hour. It's just lines, aside from color in the bow and nose. She was really trying.

"Tattoos are not an addiction; they are a collection. A tattoo collector is just like a conventional art collector who buys a painting, hangs it on the wall, and then moves on to acquire the next, unique piece. Tattoo collecting is a spiritual pursuit, while addiction is a physiological need. Addicts repeatedly take the same drug over and over without limit. A tattoo collection has variety, and it has an end. Once you collect the whole set, you're done."
-Horiyoshi III
Side note: I also have a Hello Kitty. It was done by my fiancée, is about an inch and a half wide, and took her about an hour. It's just lines, aside from color in the bow and nose. She was really trying.

"Tattoos are not an addiction; they are a collection. A tattoo collector is just like a conventional art collector who buys a painting, hangs it on the wall, and then moves on to acquire the next, unique piece. Tattoo collecting is a spiritual pursuit, while addiction is a physiological need. Addicts repeatedly take the same drug over and over without limit. A tattoo collection has variety, and it has an end. Once you collect the whole set, you're done."
-Horiyoshi III
Side note: I also have a Hello Kitty. It was done by my fiancée, is about an inch and a half wide, and took her about an hour. It's just lines, aside from color in the bow and nose. She was really trying.

"Tattoos are not an addiction; they are a collection. A tattoo collector is just like a conventional art collector who buys a painting, hangs it on the wall, and then moves on to acquire the next, unique piece. Tattoo collecting is a spiritual pursuit, while addiction is a physiological need. Addicts repeatedly take the same drug over and over without limit. A tattoo collection has variety, and it has an end. Once you collect the whole set, you're done."
-Horiyoshi III
Side note: I also have a Hello Kitty. It was done by my fiancée, is about an inch and a half wide, and took her about an hour. It's just lines, aside from color in the bow and nose. She was really trying.

I've travelled to Texas and London to get tattooed, and none of them are perfect. As blasphemous as it may sound to say this, my Steve Byrne hand tattoo has a few little flaws (specifically in the lines in some tougher areas). That being said, it's still perfect, and still my favorite and most meaningful tattoo (one of the few with a meaning). Perfection is boring, anyway.

Painting I'm doing for a charity auction next month, and a close up on a 22" mandala painting I'm working on.

I've travelled to Texas and London to get tattooed, and none of them are perfect. As blasphemous as it may sound to say this, my Steve Byrne hand tattoo has a few little flaws (specifically in the lines in some tougher areas). That being said, it's still perfect, and still my favorite and most meaningful tattoo (one of the few with a meaning). Perfection is boring, anyway.

I've travelled to Texas and London to get tattooed, and none of them are perfect. As blasphemous as it may sound to say this, my Steve Byrne hand tattoo has a few little flaws (specifically in the lines in some tougher areas). That being said, it's still perfect, and still my favorite and most meaningful tattoo (one of the few with a meaning). Perfection is boring, anyway.

Draw a lot. Seems like a non-answer, or too obvious, but it's all you can do to get better. Also, the old adage "practice makes perfect" is a lie. Focused practice makes better... hopefully. Set small goals and work towards them in your drawings, even if it seems as simple as learning different ways to shade leaves on a rose, them move up.

Draw a lot. Seems like a non-answer, or too obvious, but it's all you can do to get better. Also, the old adage "practice makes perfect" is a lie. Focused practice makes better... hopefully. Set small goals and work towards them in your drawings, even if it seems as simple as learning different ways to shade leaves on a rose, them move up.

@bongsau You look very excited about introducing your opponent, those flowers, or all involved, to the velvety darkness of encroaching death. I'm pretty sure you have perfected the art of kung fu.

Got this one from Stevie Edge to top a good week of getting tattooed.

I'll enter this one because I love my eagle. Happy to see her every day, and she has a name :o

By Chad Koeplinger at Congress St. Photo from his Instagram.

As I was leaving Walmart tonight there was a older gentleman named Art running carts/security. He was happy to tell us all about getting these done on the west coast in the '40s. The rope was to protect him from drowning, and he's happy with how solid the panther still is.

In terms of rules and such, Charlie Cartwright tattooed both of my dad's hands in the early '80s, when he only had a few pork chops on each arm, and some work on his chest (that I'm not sure was finished). He was 23 or 24 at the time. Just as an example, the "rules" that we all think of weren't as set in stone as we may think, especially before some of the mainstream exposure began to come along in the late '60s and '70s, bringing more regular people in, asking for outlandish things to ruin their lives.
Much like my dad, I'd imagine a lot of people got their hands done because it was outside enough that tattooers recognized that the people back then weren't going to get hands blasted, then go try to get a job as a lawyer. Unlike now, when someone asks about getting a hand done while they work as a receptionist or some low level office position. I personally got one and my knuckles done by Dennis McPhail while still in college, and the other hand recently from Steve Byrne. Back and thighs are completely bare still... but, just like with my dad, Dennis knew me well enough to know I wanted to tattoo (before I did), and was willing to be a janitor or welder with two college degrees if tattooing didn't work out. Thankfully, it has so far (provided my hands don't befall some unfortunate fate), and I'm not looking back now.
That all being said, I'm all for not doing any sort of visible work on someone who doesn't fully understand the ramifications, and try to talk young kids out of it all the time. Half may listen, most seem to go get it somewhere else to someone that will just stick them in the chair. If someone has a sack of crap (literal or figurative) on their hand, though, I support covering it up or blasting over, if possible. If their life is going to be ruined, it might as well be ruined by something that looks semi-decent.