Nick Colella

I wanted to address the forum as to not let speculation get to out of hand. I am actually amazed that anyone is concerned about me leaving Chicago Tattoo and the amount of support and well wishes i have received is very humbling. I want to thank everyone for reaching out. I spent ALOT of time at CTC ALOT! from the first time I walked in at 15 with Erik Gillespie and was promptly told to leave to the last 18years (almost half my life) I have been in awe of that place. In awe of the history, the stories, the people, the friends, the tattooing, the flash, the neighborhood. Everything was just amazing to me. I always wanted to be there. Always. I treated it as my own and most people didn't even think otherwise.
I have met some of my dearest fiends through there and through tattooing and I owe a lot of gratitude to the institution that I believe I helped build and to the owner Dale Grande. Like all people my needs started to change, my family started to grow and my career really started to get in a great groove. It seemed like the hardwork I had put it was paying off but there where issues that needed to be addressed at the shop that couldn't be resolved. I've sat on this decision for quite some time actually over a couple years. I've done a lot of soul searching and confided in my closest colleagues and friends and especially my wife on what to do and I came to the decision to leave Chicago Tattoo. I wanted to move on still in love with tattooing still in awe of the history and still amazed at 18 years of amazing times some great some not so great. I have a lot of things in the works. Nothing to crazy or unexpected but I can say that I will continue to stay to true to tattooing and what got me to where I am without tattooing I couldn't say where I'd be.

I wanted to address the forum as to not let speculation get to out of hand. I am actually amazed that anyone is concerned about me leaving Chicago Tattoo and the amount of support and well wishes i have received is very humbling. I want to thank everyone for reaching out. I spent ALOT of time at CTC ALOT! from the first time I walked in at 15 with Erik Gillespie and was promptly told to leave to the last 18years (almost half my life) I have been in awe of that place. In awe of the history, the stories, the people, the friends, the tattooing, the flash, the neighborhood. Everything was just amazing to me. I always wanted to be there. Always. I treated it as my own and most people didn't even think otherwise.
I have met some of my dearest fiends through there and through tattooing and I owe a lot of gratitude to the institution that I believe I helped build and to the owner Dale Grande. Like all people my needs started to change, my family started to grow and my career really started to get in a great groove. It seemed like the hardwork I had put it was paying off but there where issues that needed to be addressed at the shop that couldn't be resolved. I've sat on this decision for quite some time actually over a couple years. I've done a lot of soul searching and confided in my closest colleagues and friends and especially my wife on what to do and I came to the decision to leave Chicago Tattoo. I wanted to move on still in love with tattooing still in awe of the history and still amazed at 18 years of amazing times some great some not so great. I have a lot of things in the works. Nothing to crazy or unexpected but I can say that I will continue to stay to true to tattooing and what got me to where I am without tattooing I couldn't say where I'd be.

I wanted to address the forum as to not let speculation get to out of hand. I am actually amazed that anyone is concerned about me leaving Chicago Tattoo and the amount of support and well wishes i have received is very humbling. I want to thank everyone for reaching out. I spent ALOT of time at CTC ALOT! from the first time I walked in at 15 with Erik Gillespie and was promptly told to leave to the last 18years (almost half my life) I have been in awe of that place. In awe of the history, the stories, the people, the friends, the tattooing, the flash, the neighborhood. Everything was just amazing to me. I always wanted to be there. Always. I treated it as my own and most people didn't even think otherwise.
I have met some of my dearest fiends through there and through tattooing and I owe a lot of gratitude to the institution that I believe I helped build and to the owner Dale Grande. Like all people my needs started to change, my family started to grow and my career really started to get in a great groove. It seemed like the hardwork I had put it was paying off but there where issues that needed to be addressed at the shop that couldn't be resolved. I've sat on this decision for quite some time actually over a couple years. I've done a lot of soul searching and confided in my closest colleagues and friends and especially my wife on what to do and I came to the decision to leave Chicago Tattoo. I wanted to move on still in love with tattooing still in awe of the history and still amazed at 18 years of amazing times some great some not so great. I have a lot of things in the works. Nothing to crazy or unexpected but I can say that I will continue to stay to true to tattooing and what got me to where I am without tattooing I couldn't say where I'd be.

heres a few more..these where all done by Dale Grande at Chicago Tattoo. The dragon is from the mid 70s , the butterfly and the lion are from the late 70s early 80s and the skull is from the mid 80s..

Since Chicago Tattoo has been on the same 2 blocks for almost 40 years we get alot of people who come in with old work from Cliff Raven and Dale Grande so i try to take photos of these tattoos to document them.
I often see old timers walking around the neighborhood or in the grocery store and see their tattoos and try to ask about them and photo them, there is just something about talking to old dudes about their tattoos that gets their attention and for the most part gets them into talking about where they got in and when and sometimes they can remember who it was.
Im sure we all do this so i wanted to start a little thread and put up pics of old tattoos that we have all documented.
The first three tattoos where done at Cliff Raven Studios (Chicago Tattoo) by Cliff Raven in approximately 1970.. since i cant figure out how to make these images larger you can click on them to get a better look.

i look forward to the pics
Nick

Part Two
Chicago’s Tattooing past is as deep and influential as both the Bowery and The Pike and South State Street was the spot for all of these tattooers to come through. Like I stated before hundreds of tattooers came through to work on South State Street, from the early 1900s through until the demolition of the area in 1967.
Here are a few of the oldest photos I have found of unidentified tattooers tattooing on South State Street, if anyone knows who they are I would be stoked to hear it. These photos looked very staged, but it looks like the typical arcade style tattooing, just a small little corner or spot underneath some stairs where these arcade owners could house a tattooer as well. These photos where found in an online archive of old Chicago pictures from a local paper that no longer exists.



A lot of the tattooers where complete winos and would tattoo for the Mob owned arcades just long enough to get some drink, then would disappear until they needed to work again. Other like the ones I will mention below made South State their homes if not only for a short while. Most notable tattooers that worked on South State are but not limited to.
Ed Thornton
Bill Moore (Chicago Tattoo Supply House) not affiliated with Chicago Tattoo Co
Paul Hansen
Bill Killingworth
Jerry Pope
Ned Resinol
Ernie Sutton
Randy Webb
Mickey Kellet
William Grimshaw
Owen Jensen
Bert Grimm
Philadelphia Eddie
Don Nolan
Oakland Jake
Stoney St. Clair
Amund Dietzel
Phil Sparrow
Buddy McFall
Cliff Raven Ingram
Sailor Jerry Collins
Ralph Johnstone
Tatts Thomas
So there are 22 of the heaviest hitters to ever hold a tattoo machine and they all came through Chicago at one time or another and the history is relatively unknown or not talked about. To me this makes Chicago’s history even more intriguing. When people talk about tattooing they either mention The Bowery or The Pike, but Chicago was home to some pretty amazing tattooers that helped shape not only the look of what tattooers today call traditional designs but they where also trying to improve their tools and techniques.
Out of the list you have a few stand outs that are obvious you have of course Sailor Jerry, he was said to be introduced to electric tattooing by Tatts Thomas, here is the only card in existence that shows Sailor Jerry was tattooing on South State Street in Chicago. This card was in China Sea when Rollo bought it after Jerrys death, Kandi Everett had it in her possession for the last 20 something years and passed it on to me recently.

Bill Moore had the Chicago Tattoo Supply House and worked closely with Tatts Thomas over the years, Tatts and Bill moved shops a bunch of times during Bills stay on South State Street. Bill used to run ads in Popular Mechanics at the time touting his “Tattoo Outfit” so there you have tattooers selling to the general public way before Spaulding ever graced the back cover of Tattoo magazine. Bill Moores earliest ad was found in Billboard magazine in 1932, where he is listed at 434 South State the same address that Sailor Jerry used to work at. This was the Burton Arcade, which a lot of other tattooers had worked at as well. Bill Moore died in Chicago in 1944.
Ralph Johnstone to me is one of the most under rated tattooers of this time. Not only was he one of the most amazing circus banner painters but he also was an amazing tattooer that by all accounts was extremely kind and never had a bad word to say about any other tattooer. Ralphs business cards used to say he would work off of photographs, which meant photo realistic portraits in the 1950s. Ralph and Tatts Thomas worked side-by-side for Ralphs entire State Street Career which lasted I believe until everyone left in 1963. Johnstone also painted flash for Milton Zeis who at the time had a supply business and tattoo correspondence class out of Rockford Illinois. These business cards below show some of the address that Tatts and Johnstone worked at. The cards where also drawn by Ralph himself, as you can see he was light years ahead of his time in the way he approached illustration and tattooing for that matter.


Here you have a couple of Ralph Johnstone’s clients with full chest pieces, and the third pic is of 3 backpieces with Johnstone in the front the center was done by Tatts Thomas it is on Sailor Bill Killingsworth the other 2 where done by Johnstone.



Thanks for your interest more to follow on some of the other tattooers that shaped South State Street.

heres a few more..these where all done by Dale Grande at Chicago Tattoo. The dragon is from the mid 70s , the butterfly and the lion are from the late 70s early 80s and the skull is from the mid 80s..

heres a few more..these where all done by Dale Grande at Chicago Tattoo. The dragon is from the mid 70s , the butterfly and the lion are from the late 70s early 80s and the skull is from the mid 80s..

Since Chicago Tattoo has been on the same 2 blocks for almost 40 years we get alot of people who come in with old work from Cliff Raven and Dale Grande so i try to take photos of these tattoos to document them.
I often see old timers walking around the neighborhood or in the grocery store and see their tattoos and try to ask about them and photo them, there is just something about talking to old dudes about their tattoos that gets their attention and for the most part gets them into talking about where they got in and when and sometimes they can remember who it was.
Im sure we all do this so i wanted to start a little thread and put up pics of old tattoos that we have all documented.
The first three tattoos where done at Cliff Raven Studios (Chicago Tattoo) by Cliff Raven in approximately 1970.. since i cant figure out how to make these images larger you can click on them to get a better look.

i look forward to the pics
Nick

Since Chicago Tattoo has been on the same 2 blocks for almost 40 years we get alot of people who come in with old work from Cliff Raven and Dale Grande so i try to take photos of these tattoos to document them.
I often see old timers walking around the neighborhood or in the grocery store and see their tattoos and try to ask about them and photo them, there is just something about talking to old dudes about their tattoos that gets their attention and for the most part gets them into talking about where they got in and when and sometimes they can remember who it was.
Im sure we all do this so i wanted to start a little thread and put up pics of old tattoos that we have all documented.
The first three tattoos where done at Cliff Raven Studios (Chicago Tattoo) by Cliff Raven in approximately 1970.. since i cant figure out how to make these images larger you can click on them to get a better look.

i look forward to the pics
Nick

Yep as far as i have heard through stories the mob ran that whole area including the tattooing. Everyone kicked to them the tattooers, the dancers, the bookies, everyone. As far as mobsters go Accardo was the best. Never spent as much as a night in the clink and there's no cooler nickname than Joe Batters. He got it cuz of the severe baseball bat beatings he used to give!!!
Below is a pic of Tatts Thomas and his wife at the time and Owen Jensen and Dainty Dotty this pic was supposedly taken on South State Street, like i said everyone was supposed to have been through there.

Shane
Thanks for getting me thinking about this. I agree with what you are saying about the popularity of tattoo then as to now. I do believe it was probably just as popular taking all your examples into consideration. A lot of us bitch about civilians being able to buy equipment off the internet but if I’m not mistaken Wagner and Waters where advertising their catalogs in the back of Popular Mechanics and other magazines. And Zeis had a mail order correspondence school back then. If there was a correspondence school the tattooers now would be in an uproar about it.
I’m not sure about elsewhere in the country but the research I did on South State Street in Chicago showed that hundreds of tattooers had pass through Chicago and had set up shop to tattoo on South State Street, everyone had a turn at it, it was just as popular as the Bowery or the Pike.
The South State Street levee as it was called was jammed full of arcades, burlesque shows, bars and flop houses, it was considered in the 30s, and 40s the worst red light district this country had ever seen, but what really got the neighborhood jam packed and the tattooers slammed was that in the middle of all of this was the Army and Navy recruiting stations. These recruits flooded the area everyday to enlist and then went back every two weeks on day weekend to indulge in all that life or South State had to offer until they were shipped out. In Bad Boys and Tough Tattoos Phil Sparrow talks about the constant flow of sailors to the neighborhood and how busy it was.
So that’s just a small example of the popularity of tattooing at that time in a 4 block square area, image that across the entire country, war is good for business and at that time amazing for the tattoo business.
As everyone knows Tuttle probably has the largest most vast collection of tattoo memorabilia anywhere, but I was told that he has somewhere of about 4000 hand painted sheets of flash , that’s inconceivable the amount of tattooing that was done off that flash. And most of it was from the early part of the 20th Century

Since Chicago Tattoo has been on the same 2 blocks for almost 40 years we get alot of people who come in with old work from Cliff Raven and Dale Grande so i try to take photos of these tattoos to document them.
I often see old timers walking around the neighborhood or in the grocery store and see their tattoos and try to ask about them and photo them, there is just something about talking to old dudes about their tattoos that gets their attention and for the most part gets them into talking about where they got in and when and sometimes they can remember who it was.
Im sure we all do this so i wanted to start a little thread and put up pics of old tattoos that we have all documented.
The first three tattoos where done at Cliff Raven Studios (Chicago Tattoo) by Cliff Raven in approximately 1970.. since i cant figure out how to make these images larger you can click on them to get a better look.

i look forward to the pics
Nick

Since Chicago Tattoo has been on the same 2 blocks for almost 40 years we get alot of people who come in with old work from Cliff Raven and Dale Grande so i try to take photos of these tattoos to document them.
I often see old timers walking around the neighborhood or in the grocery store and see their tattoos and try to ask about them and photo them, there is just something about talking to old dudes about their tattoos that gets their attention and for the most part gets them into talking about where they got in and when and sometimes they can remember who it was.
Im sure we all do this so i wanted to start a little thread and put up pics of old tattoos that we have all documented.
The first three tattoos where done at Cliff Raven Studios (Chicago Tattoo) by Cliff Raven in approximately 1970.. since i cant figure out how to make these images larger you can click on them to get a better look.

i look forward to the pics
Nick

Since Chicago Tattoo has been on the same 2 blocks for almost 40 years we get alot of people who come in with old work from Cliff Raven and Dale Grande so i try to take photos of these tattoos to document them.
I often see old timers walking around the neighborhood or in the grocery store and see their tattoos and try to ask about them and photo them, there is just something about talking to old dudes about their tattoos that gets their attention and for the most part gets them into talking about where they got in and when and sometimes they can remember who it was.
Im sure we all do this so i wanted to start a little thread and put up pics of old tattoos that we have all documented.
The first three tattoos where done at Cliff Raven Studios (Chicago Tattoo) by Cliff Raven in approximately 1970.. since i cant figure out how to make these images larger you can click on them to get a better look.

i look forward to the pics
Nick

Since Chicago Tattoo has been on the same 2 blocks for almost 40 years we get alot of people who come in with old work from Cliff Raven and Dale Grande so i try to take photos of these tattoos to document them.
I often see old timers walking around the neighborhood or in the grocery store and see their tattoos and try to ask about them and photo them, there is just something about talking to old dudes about their tattoos that gets their attention and for the most part gets them into talking about where they got in and when and sometimes they can remember who it was.
Im sure we all do this so i wanted to start a little thread and put up pics of old tattoos that we have all documented.
The first three tattoos where done at Cliff Raven Studios (Chicago Tattoo) by Cliff Raven in approximately 1970.. since i cant figure out how to make these images larger you can click on them to get a better look.

i look forward to the pics
Nick

Part Two
Chicago’s Tattooing past is as deep and influential as both the Bowery and The Pike and South State Street was the spot for all of these tattooers to come through. Like I stated before hundreds of tattooers came through to work on South State Street, from the early 1900s through until the demolition of the area in 1967.
Here are a few of the oldest photos I have found of unidentified tattooers tattooing on South State Street, if anyone knows who they are I would be stoked to hear it. These photos looked very staged, but it looks like the typical arcade style tattooing, just a small little corner or spot underneath some stairs where these arcade owners could house a tattooer as well. These photos where found in an online archive of old Chicago pictures from a local paper that no longer exists.



A lot of the tattooers where complete winos and would tattoo for the Mob owned arcades just long enough to get some drink, then would disappear until they needed to work again. Other like the ones I will mention below made South State their homes if not only for a short while. Most notable tattooers that worked on South State are but not limited to.
Ed Thornton
Bill Moore (Chicago Tattoo Supply House) not affiliated with Chicago Tattoo Co
Paul Hansen
Bill Killingworth
Jerry Pope
Ned Resinol
Ernie Sutton
Randy Webb
Mickey Kellet
William Grimshaw
Owen Jensen
Bert Grimm
Philadelphia Eddie
Don Nolan
Oakland Jake
Stoney St. Clair
Amund Dietzel
Phil Sparrow
Buddy McFall
Cliff Raven Ingram
Sailor Jerry Collins
Ralph Johnstone
Tatts Thomas
So there are 22 of the heaviest hitters to ever hold a tattoo machine and they all came through Chicago at one time or another and the history is relatively unknown or not talked about. To me this makes Chicago’s history even more intriguing. When people talk about tattooing they either mention The Bowery or The Pike, but Chicago was home to some pretty amazing tattooers that helped shape not only the look of what tattooers today call traditional designs but they where also trying to improve their tools and techniques.
Out of the list you have a few stand outs that are obvious you have of course Sailor Jerry, he was said to be introduced to electric tattooing by Tatts Thomas, here is the only card in existence that shows Sailor Jerry was tattooing on South State Street in Chicago. This card was in China Sea when Rollo bought it after Jerrys death, Kandi Everett had it in her possession for the last 20 something years and passed it on to me recently.

Bill Moore had the Chicago Tattoo Supply House and worked closely with Tatts Thomas over the years, Tatts and Bill moved shops a bunch of times during Bills stay on South State Street. Bill used to run ads in Popular Mechanics at the time touting his “Tattoo Outfit” so there you have tattooers selling to the general public way before Spaulding ever graced the back cover of Tattoo magazine. Bill Moores earliest ad was found in Billboard magazine in 1932, where he is listed at 434 South State the same address that Sailor Jerry used to work at. This was the Burton Arcade, which a lot of other tattooers had worked at as well. Bill Moore died in Chicago in 1944.
Ralph Johnstone to me is one of the most under rated tattooers of this time. Not only was he one of the most amazing circus banner painters but he also was an amazing tattooer that by all accounts was extremely kind and never had a bad word to say about any other tattooer. Ralphs business cards used to say he would work off of photographs, which meant photo realistic portraits in the 1950s. Ralph and Tatts Thomas worked side-by-side for Ralphs entire State Street Career which lasted I believe until everyone left in 1963. Johnstone also painted flash for Milton Zeis who at the time had a supply business and tattoo correspondence class out of Rockford Illinois. These business cards below show some of the address that Tatts and Johnstone worked at. The cards where also drawn by Ralph himself, as you can see he was light years ahead of his time in the way he approached illustration and tattooing for that matter.


Here you have a couple of Ralph Johnstone’s clients with full chest pieces, and the third pic is of 3 backpieces with Johnstone in the front the center was done by Tatts Thomas it is on Sailor Bill Killingsworth the other 2 where done by Johnstone.



Thanks for your interest more to follow on some of the other tattooers that shaped South State Street.

So in response to recent inquiries about Chicago and its place in tattoo history and to try to up the ante here at The Last Sparrow Tattoo Forum I will try to breakdown what I know and have acquired about tattooing in Chicago from early on up until present day. All of this will revolve around the history of Chicago Tattoo because honestly I don’t know or care to know about any other present day shops in the city.
This of course will give a broad range of information at first because most of the photographic history was lost to the trash or to the flea markets at the time. The stories of South State Street are very few, 99% of the tattooers that dominated that street in its hey day are long gone. There are a few still left and their stories are amazing, some look upon those times fondly as the last truly honky tonk time in tattooing other look upon South State as Chicago’s tattoo demise.
The 4-block area of South State Street in Chicago from the early 1900s to the mid 1960s was considered the worst red-light district that ever existed in this country to date. It consisted of skid row flophouses, porn theatres, liquor stores, wino bars, shooting galleries, arcades, and of course in every corner of every arcade were the tattoo shops. Chicago was supposedly home to hundreds of tattooers through out the early years. All making tattoos cutting their chops and making their bones on the abundance of fresh sailors from Great Lakes Naval Base just north of Chicago, and the working class folks looking to let loose on South State Street.
These first photos show the very early days of south state notice in one of the photos the Armed Services recruiting center, this later became and Army Navy Surplus store. This is one of the main reason I believe that attracted the tattooers to South State they had a fresh abundance of young men signing up to serve their country and at that time service men especially sailors and tattoos went hand in hand.




These other three photos show the burlesque barkers looking to get customers in to see the show



Thanks for your interest, more to come later

weve talked..i hate the yelp, i dont agree with the way they conduct business, or try to strong arm businesses into advertising with them. I hate that if people have an issue with me or anyone who works with me they cant take it up with me, but they can go bitch and moan about it on yelp and i have no recourse. Ive had a bad review from a lady who thought she paid too much for her tattoo weeks after getting it. Said the tattoo was fine but after thinking about it she thought she paid too much..whatever..its a societal issue, the last generation of people are a bunch a whiners and complainers who take no responsibilty for their actions and they are constantly trying to shift the blame onto someone else for them being pussys..
but unfortunately we have to play ball
ive said too much i might get another bad review

there should be problems..im sure parent teacher conferences go really well with the gaping vag on the neck too.

I do a ton of lettering. If I could I would do it all day long or at least draw it for everyone at the shop. I just find that I have a formula that I like to use and it's been successful for me for te most part. The key is just practice it over and over. I have all the books that have come out and I'll reference them if I get stuck on a letter but other than that I just practice. Before I get to work inbetween tattoos after tattoos when I'm on the phone whenever.
I went and got some lettering from Mark Mahoney a dozen years ago and he showed me some cool tricks that I still use.
Like Julio I'm always looking at old signs and lookingat sign painters books. Hand lettering to
me is such a lost art. Rollo told me that good lettering can save a mediocre tattoo am bad lettering can ruin and amazing tattoo.

All great suggestions and I'd get a ship from any of them!
For the past few months I have been enjoying striped-down traditional versions of ships and old flash....so I'd suggest @Erik Gillespie (Chicago) or @Nick Colella (Chicago) though they are not West Coast as desired so how about Nick Rodin (Blackheart), Cody Miller (Blackheart), or @Paul A. Dobleman (Spider Murphy's) among many others.....

More from Horitsune II

by some one who worked at lyle tuttle's shop in the 70's
the other four pics are as follows
the eagle name cover up was by tom devita in nyc in the 80s
the panther head was by some guy named indian done in puerta rico 70s
the indian head was done by tony polito in the 70s in brooklyn
the baby was by some one named junior

So today i met with a guy named Chuck Renslow, he is responsible for introducing Cliff Raven to Phil Sparrow. From there Cliff and Phil became close and Phil taught Cliff how to tattoo. Chuck did a very small stint as a tattooer with Phil Sparrow and Cliff when they moved to Milwaukee in the late 60s. He only had a few tattoos 2 where by Phil Sparrow done around the late 50s early 60s both where done on South State Street in Chicago.