The Tig

First time I realised japanese/oriental doesn't have to be traditional

I'm a sucker for a well-executed munewari, and no one does them better than Horitoshi:

And my jaw hits the floor pretty much every time Brian Kaneko posts anything. Example:

Same goes for Drew Flores. The head he's working on is also a nice reminder that tattoos can still be shocking:

I saw that Julian Seibert front piece of the cowelled skull and cat being tattooed at the London Convention this year. I was astounded by both the client and the tattoo. The guy sat for 3 days straight to get it finished. Totally incredible...

I ran across some of Julian Siebert's work today.

If you don't have anything nice to say…

recently found this local artist in my area, his name is Andre i dont know his last name but i will definitely be getting a tattoo off him after seeing these legs he did,
Fucking mind blown!!
also i believe they are based off a Rob Roskopp pro deck designed by Jim Phillips.

Everyone already knows this but Marius Meyer seems to melt brains on the daily ( well, mine at least… ):

Jun Cha's work is usually a feast for the eyes.

Glenn Cuzen's back piece has gotten plenty of attention lately, and for a good reason.

Jun Cha's work is usually a feast for the eyes.

Glenn Cuzen's back piece has gotten plenty of attention lately, and for a good reason.

Jun Cha's work is usually a feast for the eyes.

Glenn Cuzen's back piece has gotten plenty of attention lately, and for a good reason.

I have never seen a thread for this anywhere on the forums, but sometimes I see a tattoo somewhere and it makes me go OH MY GOD THAT IS SO AMAZING and I want to share it with you guys, but since it isn't mine, I can't put it in the Lowdown thread. So, I thought I would make a thread for posting pictures of killer tattoos that don't belong to us, just to share them and 'oooooh, ahhhhh' over them.
...As I type this I'm realizing that probably 6 out of 10 rad tattoos I see on instagram turn out to belong to somebody here, so maybe this is redundant, but oh well! If it dies, it dies. :)
And I'm going to contribute something, because my regular tattooer just did a thing that made my eyeballs pop out of my head, and inspired me to make the thread in the first place, because I needed people to squee about it with.
Picture on greggletron's instagram
and, video: And here's a video.

The first tattoo I ever saw that had that effect on me was this incredible hannya by Mike Rubendall. It still amazes me. It's probably the first tattoo that made me realize the possibilities within tattooing.
Also that Viking head is incredible. I saw it on instagram the other day and it definitely made me stop and put my eyes back in my head.

Jun Cha's work is usually a feast for the eyes.

Glenn Cuzen's back piece has gotten plenty of attention lately, and for a good reason.

Hello all. My name is Valentin and i'm from Bulgaria, Plovdiv. Got my first tattoo 3 months ago and i would love to discuss more tattoos with people here. :)

If you have read this thread, you know that I am very hesitant to display my ink in public for fear of reactions of others. This thread made me more willing to give it a try, so I thought I’d give you an update.
A couple of weeks ago I decided to test the waters at the local farm market. Normally in that situation I wear a long or 3/4 length sleeve and push it up just above my elbow. Since my half sleeve tattoos stop slightly above my elbows, nothing shows. But that day I picked out a longish short sleeve tee so about 1/3 of my tattoos showed. Not just peaking out, but about 3” of tattoo showing very clearly. As I was leaving the house I almost grabbed a sweater in case I chickened out, but then I thought “No, I'm going to do this without a safety net."
I got to the market and it was pretty crowded. I was a little nervous. I started shopping, talking to vendors, checking out produce and flowers, and started to fall into my usual routine.
Since I had tattoos on my mind, I noticed a few other ladies with tattoos, so I felt a little more at ease with my “sisters.” I got more comfortable and at one point I thought a lady next to me at stand was checking me out so I politely said “excuse me” and reached in front of her to pick up an item so my arm was right in front of her to see if she reacted. No reaction! Since she was a perfect stranger, I sort of secretly hoped she was shocked! That is a weird aspect of my reluctance to show pattern - I sort of like to shock strangers, but fear shocking people I know!
As I paid one of the vendors for a purchase — a woman I often buy from, and who has a tattoo herself — she said, “I never noticed your tattoos before. Very pretty!” I thanked her and said that I usually don’t let them show. She said “Oh, just let ‘em show!”. That was a good feeling.
All in all the whole situation went without incident. I really felt good, felt very free and alive, as if I was letting myself be me. A great first step for me.
The big test would be being somewhere where I see people I know. That could have happened at the farm market — I sometimes see friends and colleagues there. I saw a few “familiar” people who I know enough to say “Hi” to, but I don’t know their names, but no one whose judgement I fear. I’m still not sure how I’m going to feel when I see one of my co-workers or bosses.

What a great read this thread has been! I find myself agreeing with so much of what has been said so there's no need in regurgitating existing posts. Also, being able to disagree and remain civil is critical in a well functioning culture.

Within the tribe, mentioning who tattooed something is just a natural part of the discussion. I'm glad to see many LST'ers have avoided the dreaded red carpet elitism, "Who are you wearing?". :D

Healed pics of my Darth Vader tattoo, done back in August this year on my left calf. Also showing merge with tattoos either side of it. Done by Tommygunn in Belfast City Skinworks, Belfast.

i think give another 3 weeks and you'll have a better idea - i see what you mean in your description but i would def encourage you to resist overthinkin this piece - its dope - love it...and keep going with some more ink - every tattoo has imperfections but i think once you get your head straight on this one you'll be stoked to have it on you

I'll admit that when I got in to tattooing, I was directed to Richard Stell without knowing a damn thing about him. The guest spot news was broken on this website, and I was pushed by several members to take the plunge and get something.
Should I feel dirty about that by going to a big name and not knowing his legacy? Maybe. I put my trust in the knowledge here on LST, and I never had a doubt I was making a poor decision. I wanted to be part of a community, and experience the things that other people were experiencing, so I just went with it. Was asking him to do something uncharacteristic of his style wrong? Some people may think so. Asking an artist to do a different style could be considered sacrilege to some. In my naivete I asked for something he doesn't generally do, but damn if he wasn't excited to do it.
I have no regrets, and I also learned that you don't really understand someone until you meet them. You could follow artists on Instagram, and hear about them in other shops from other people's experiences, but until you sit with Stell and hear him, first hand, talk about his old biker days and how he had pet alligators and all the other crazy stuff, you can't fully understand.
I would hope that people who seek out big names, solely for the name, have a better respect for that person afterwards instead of just, "Yeah I got XX to do this."

I've now just come to the sad realisation that I've wasted all these years, endured all this pain suiting down for nothing!!! I should have just slammed hands, forearms and neck pipe.
"Booze, Blues & Tattoos"

Great post @exume, thanks for sharing!
In my defense I have to say that I didn't say anything about Shige. It was someone else who said he had better artists at his local shop... (still want to know where that is) Also, I think I did say that I like some of Walter McDonalds stuff a lot (?), but that I was not as into how rough and loose his style is. His ideas, design and concepts are often way cool if you ask me!
In the end, as with any art, it's a matter of preference. Someone mentioned that Chad Koeplinger tattoos in a looser style and he's in the bunch I'd consider favorite tattooers BUT I don't like the stuff that's very loose (yet). I think this could be a journey in itself, to learn to appriciate the rawness of things. A parallel could be to someone who gets into punk music by listening to, say, Bad Religion. After some years this persons taste might have refined/degraded (depending on you perspective) to the point where Discharge is his/hers favorite band, if you see the resemblence. I think it can be an obstacle to experience and enjoyment of any art form to judge it on scales of trashy - clean, dark - positive, energetic - static, and so on. There's no way to quantify the tattoo mojo and soul that is the most important ingredient.
I don't know. For me tattoos are still mostly a visual thing and sometimes used to imprint/express an idea/feeling/concept I feel strongly about. I don't doubt that Walter has a smile on his face even when sleeping and that Eddy is one of the raddest guys, that Spotlight has bullet holes in the flash or whatever. Those are great things! But I am not sure that, for me, this would help me choose and artist to get work from. For some people it probably does, and I'm not going to say who is right or wrong in this. Tattoo culture is not a sport, I think it's totally fine that people have strongly oposing ideas and taste preference and I think it's fun and evolving in it's own to discuss without having to decide who is winning an argument.
@Pugilist: I agree, it's always important to think twice about what you set in stone publicly (or set in HTML, in this case) And I absolutely think we should all try to be fair and not fall into gossip and trash talk. However, just because it's somebody's livelihood doesn't make it immune to criticism, in my opinion. One thing I like about this culture is that is participatory. You can't really be on the sidelines and still enjoy it (well you can watch Miami INK, but that's another story) Even getting just one tattoo means you have to make an active effort and become a, if tiny and shortlived, part of it. And I think one of the beautiful things is that it's not very hierarchical, no thrones of professional art critics who dictates what to think and feel about tattoos, what's good and who is not.
I think there needs to be room for discussion, in a polite and civilized way about things we/you/I don't like and to voice some critical oppinions about people's work too. I am sure Deutsche has the kind of following where he's legacy will continue to grow still (and I also think he deserves it, I hope I made that clear). I also hope that people can make up their own minds and trust their own taste. I hope we don't get threads where the sole purpose is to talk shit about somebody's work, that would be really unfair and a lowmark for the forum. In this case it made for some interesting arguments that also lead to other ideas and perspectives comming through. As long as the tone is good and people behave I think it's benificial for everyone that we're not only giving eachother high 5's in the Latest Tattoo Lowdown-thread and joining into the choir whenever a respected tattooers name is mentioned. But yeah, thanks for pointing it out!
"Think before you post!" is a good moto

This thread has been fantastic, really great discussion so far, thanks everyone for adding your thoughts! After I read the bulk of it I had to jet off to work so I didn't have time to make a cogent reply until now, hopefully some of my thoughts have survived through the past few days of working. Anyways, these are my thoughts on the subject as a client relatively new to tattoos.
Though I'd always been a fan of tattoos, I got a pretty late start on my "collection" so to speak, I loved the look of tattoos but throughout my teens and early 20s any spare cent went to drugs and booze so actually getting tattooed was fiscally impossible. I got sober, met some people with rad tattoos in and out of the program, and really started thinking about it again, I visited a bunch of trashy shops throughout the greater Colorado Springs area, and found nothing appealing in my search. I've always been a bit of a collector and really dig researching and finding the best version of whatever it is I'm looking for. I eventually found LST which I credit for helping me learn what makes a good tattoo, and really helping shape my tastes. You all have been lifesavers! Sorry for the long personal discourse but I feel it's a bit relevant to the rest of the post.
So after two years of scoring the forum for information, flipping through instagram a few times a day, following an unmanageable amount of accounts on said instagram, I finally took the plunge and booked an appointment with Marie Sena after I had seen her name on the list of artists working at a then new shop (Dedication Tattoo) down in Denver. Her style really spoke to me, I wasn't really familiar with her as a "name" in the tattoo game, maybe read about her on here once or twice but I feel extremely lucky to have such a wonderful first tattoo from such a fantastic person.
I never really set out to be the guy who never gets tattooed by the same person twice, but as of yet that's how it's turning out. I am wary of being perceived as some sort of "starfucker" as @Pugilist put it, but with Denver being so centrally located in this country I am presented with a lot of great opportunities via guest spots to get work from great tattooers! How am I going to pass up a chance to get tattooed by Adam Shrewsbury while he's in town for a couple days, he doesn't even make tattoos regularly when he's home! Chad's going to be here in a couple weeks? Well I'd better find a way to stack some cash because I won't let myself miss out on that. I have a list in my head of people I'd love to get work from, some may be big names, but it's all because their work speaks to me in ways that I can't really quantify, I don't want the most star-studded skin, I just want stuff that makes me happy when I look in the mirror.
Besides the power of the imagery, it really is all about the experience though. Any time I've been tattooed by someone with a "big name" they have been some of the realest, most down to earth people I've met. Jeff Zuck is a gentleman and a scholar, Marie, as I said earlier, literally one of the nicest people I've ever met. Adam is the most down to earth dude, you can just tell how grateful he is to be spending his life making rad art for people. Every tattoo that I've seen Chad put out has blown my mind, and I was pleasantly surprised to see how humble he was, making sure the other guys in the shop thought the composition was solid on his sketch, ready to wipe it all away and start over if Joe didn't like something about it. Myke Chamber seems to get a bit of grief around here, maybe he's too self-promotional, his drawings are simplistic, but his message in all the interviews is a story of hope for those of us struggling with addiction, and I could tell that he was really grateful for his position in life.
Now, @mmikaoj, again, I appreciate you starting this thread, the discussion has been really great! You caught enough flak for what you said about Deutsche, Shige, and Horiyoshi III, but I had to jump in and defend Walter McDonald! I know that some of his tattoos look a little off, definitely not what anyone would call perfect, but goddammit they are fucking tattoo magic in the flesh! That man is one of the best human beings I've had the pleasure of meeting, it's impossible to imagine him without a smile on his face. His shop is beautiful, flash from floor to ceiling, exactly what you picture in your head when you think "tattoo shop," not to mention that he's mostly responsible for me and the rest of the state being so spoiled for choice when it comes to guest artists on a regular basis. Walter is the coolest and I can't wait to get a tattoo from him.
Sorry about the rambling, hope I didn't stray too far from what I was trying to get across.

To get back to the questions originally asked, I'm not sure that any of us can really be honest about why we want a certain design or why we want a specific person to put it on us (I believe in the unconscious). For me, I usually decide I want a certain design, then think about who does that design in the way that I like most. (I like to think that) I'm not a sucker for big names, but I do think I am a sucker for "authenticity" and "soulfulness." For me, some tattooers and their works have an ineffable draw that goes beyond form or technical proficiency. Certainly, relatively unknown tattooers could possess that quality, but it's less likely that I would find out about them. In regards to masters and their successors, hopefully the successors would be doing something new or different enough to be recognized for their own work. As far as the experience of getting tattooed, the tricky thing is that you never know until after the fact. I am, of course, more compelled to go back to people I enjoyed getting tattooed by and talking to than not. It's such an intense experience getting tattooed that I couldn't imagine going back to someone I didn't enjoy regardless of their reputation or skill.

I'm only on Page 2, but I had to chime in. I just saw some Derrick Snodgrass tattoos walk in, and they look sooooo good. The orange fell out in the flowers, but I'm still into it. It's got that "soul" that everyone's talking about.
I actually can't wait for my tattoos to age and and look old. I'm a weirdo.

I'll add some personal experience to the conversation here which I'm thoroughly enjoying. Seriously, LST has some really smart and savvy members that don't come off as know it all douche-bags.
Without naming any names, I spoke with one older more establish tattoo artist about Instagram as well as one younger tattoo artist. The older one said while Instagram is nice and great for seeing what other artist's are doing, it lends itself to be a medium where people can rip off your work. The younger artist loves Instagram and stated that they get most of their work request via their Instagram postings (about 90%).
Separately names are names, some established and worth the hype, others maybe not so much. I personally just get what I like and what is appealing to my eye. In the end I'm the one who has to live with the tattoo and if I'm not happy with it even if it was a "big name artist" why did I bother to get it in the first place. I completely agree in that seeing an artist's work on the Internet or on Instagram is not the same as seeing examples in real life. Again the Internet and Instagram is great for researching out ideas and seeing what artists are out there but it is only a component in the many facets of deciding on what tattoo to get and what artist to go with. There is still value in visiting a shop and going to conventions or even holding meet-ups like some LST'ers do from time to time.