Bart Bingham

I read an article in I cant remember what magazine many years ago that pointed out that almost every question we get asked about our tattoos can also be directed towards a new teen mother
example:
"did that hurt?"
"what do your parents think about that?"
" you know you're stuck with that for ever, right?"
"i cant believe you'd do that to your body?"
"why would you do something so irresponsible?"
etc., etc.

I read an article in I cant remember what magazine many years ago that pointed out that almost every question we get asked about our tattoos can also be directed towards a new teen mother
example:
"did that hurt?"
"what do your parents think about that?"
" you know you're stuck with that for ever, right?"
"i cant believe you'd do that to your body?"
"why would you do something so irresponsible?"
etc., etc.

I read an article in I cant remember what magazine many years ago that pointed out that almost every question we get asked about our tattoos can also be directed towards a new teen mother
example:
"did that hurt?"
"what do your parents think about that?"
" you know you're stuck with that for ever, right?"
"i cant believe you'd do that to your body?"
"why would you do something so irresponsible?"
etc., etc.

I read an article in I cant remember what magazine many years ago that pointed out that almost every question we get asked about our tattoos can also be directed towards a new teen mother
example:
"did that hurt?"
"what do your parents think about that?"
" you know you're stuck with that for ever, right?"
"i cant believe you'd do that to your body?"
"why would you do something so irresponsible?"
etc., etc.

My first tattoo was the black eisturzende neubauten stick man. my friend james did it in our friends garage. it was done with a tattoo machine but the needle was 5 sewing needles soldered onto a needle bar. all lined and shaded with that. it was probably 1992/93 i'd guess. then in 1993 i got all the chrome doodads and flames added by matthew wojciechowski. and although you cant tell from my crappy phone pic that tattoo and the sleeve i have from matthew are both almost 20 years old and both are so well tattooed that they look like they were done last week. I had very little interest in tattoos til i saw what matthew was doing.

i was 16 or 17. i got a small tattoo on my calve. back then i never wore shoes or socks. as soon as school let out the shoes and socks came off. so the day after i got it done i was in the kitchen and i had socks on(to hide the tattoo) and the conversation went like this
mom "so letes see it"
me "see what?"
mom "the tattoo. dont play dumb"
me "i dont know what youre talking about"
mom "BS, youre wearing socks. youre hiding something."

i was 16 or 17. i got a small tattoo on my calve. back then i never wore shoes or socks. as soon as school let out the shoes and socks came off. so the day after i got it done i was in the kitchen and i had socks on(to hide the tattoo) and the conversation went like this
mom "so letes see it"
me "see what?"
mom "the tattoo. dont play dumb"
me "i dont know what youre talking about"
mom "BS, youre wearing socks. youre hiding something."

I see a couple of people suggesting that its a bad idea to go the freehand route. sorry but that is false. if you go to someone and they cant draw a good design on you chances are that they wouldn't have drawn it any better on paper.
I am not saying they don't use stencils and I'm sure they do sometimes but I personally have never seen Richard Stell, Troy Denning or Chris Trevino use a stencil. also I work with both Horizakura and Yoni Zilber who I watch draw on entire sleeves and backpieces that become the most beautifuly executed tattoos. So what im saying is its not the process/approach that is to blame for giving you an unsatisfactory tattoo it is the artist that executed it. I'd hate to see you go into a situation where youre gonna get tattooed by a Chris Garver or Horitomo and he says he's gonna freehand it so you get spooked and end up opting out of it because someone on the internet said that freehand is a red flag.
also drawing on the spot is perfectly ok if the artist has the experience and skills to do so. if Gordon Ramsey offered to come to my house and make me dinner using whatever i have in my cupboard I'm not going to request that he figure out the recipe a week in advance because he's going to nail it.

I see a couple of people suggesting that its a bad idea to go the freehand route. sorry but that is false. if you go to someone and they cant draw a good design on you chances are that they wouldn't have drawn it any better on paper.
I am not saying they don't use stencils and I'm sure they do sometimes but I personally have never seen Richard Stell, Troy Denning or Chris Trevino use a stencil. also I work with both Horizakura and Yoni Zilber who I watch draw on entire sleeves and backpieces that become the most beautifuly executed tattoos. So what im saying is its not the process/approach that is to blame for giving you an unsatisfactory tattoo it is the artist that executed it. I'd hate to see you go into a situation where youre gonna get tattooed by a Chris Garver or Horitomo and he says he's gonna freehand it so you get spooked and end up opting out of it because someone on the internet said that freehand is a red flag.
also drawing on the spot is perfectly ok if the artist has the experience and skills to do so. if Gordon Ramsey offered to come to my house and make me dinner using whatever i have in my cupboard I'm not going to request that he figure out the recipe a week in advance because he's going to nail it.

I see a couple of people suggesting that its a bad idea to go the freehand route. sorry but that is false. if you go to someone and they cant draw a good design on you chances are that they wouldn't have drawn it any better on paper.
I am not saying they don't use stencils and I'm sure they do sometimes but I personally have never seen Richard Stell, Troy Denning or Chris Trevino use a stencil. also I work with both Horizakura and Yoni Zilber who I watch draw on entire sleeves and backpieces that become the most beautifuly executed tattoos. So what im saying is its not the process/approach that is to blame for giving you an unsatisfactory tattoo it is the artist that executed it. I'd hate to see you go into a situation where youre gonna get tattooed by a Chris Garver or Horitomo and he says he's gonna freehand it so you get spooked and end up opting out of it because someone on the internet said that freehand is a red flag.
also drawing on the spot is perfectly ok if the artist has the experience and skills to do so. if Gordon Ramsey offered to come to my house and make me dinner using whatever i have in my cupboard I'm not going to request that he figure out the recipe a week in advance because he's going to nail it.

I see a couple of people suggesting that its a bad idea to go the freehand route. sorry but that is false. if you go to someone and they cant draw a good design on you chances are that they wouldn't have drawn it any better on paper.
I am not saying they don't use stencils and I'm sure they do sometimes but I personally have never seen Richard Stell, Troy Denning or Chris Trevino use a stencil. also I work with both Horizakura and Yoni Zilber who I watch draw on entire sleeves and backpieces that become the most beautifuly executed tattoos. So what im saying is its not the process/approach that is to blame for giving you an unsatisfactory tattoo it is the artist that executed it. I'd hate to see you go into a situation where youre gonna get tattooed by a Chris Garver or Horitomo and he says he's gonna freehand it so you get spooked and end up opting out of it because someone on the internet said that freehand is a red flag.
also drawing on the spot is perfectly ok if the artist has the experience and skills to do so. if Gordon Ramsey offered to come to my house and make me dinner using whatever i have in my cupboard I'm not going to request that he figure out the recipe a week in advance because he's going to nail it.

I see a couple of people suggesting that its a bad idea to go the freehand route. sorry but that is false. if you go to someone and they cant draw a good design on you chances are that they wouldn't have drawn it any better on paper.
I am not saying they don't use stencils and I'm sure they do sometimes but I personally have never seen Richard Stell, Troy Denning or Chris Trevino use a stencil. also I work with both Horizakura and Yoni Zilber who I watch draw on entire sleeves and backpieces that become the most beautifuly executed tattoos. So what im saying is its not the process/approach that is to blame for giving you an unsatisfactory tattoo it is the artist that executed it. I'd hate to see you go into a situation where youre gonna get tattooed by a Chris Garver or Horitomo and he says he's gonna freehand it so you get spooked and end up opting out of it because someone on the internet said that freehand is a red flag.
also drawing on the spot is perfectly ok if the artist has the experience and skills to do so. if Gordon Ramsey offered to come to my house and make me dinner using whatever i have in my cupboard I'm not going to request that he figure out the recipe a week in advance because he's going to nail it.

I see a couple of people suggesting that its a bad idea to go the freehand route. sorry but that is false. if you go to someone and they cant draw a good design on you chances are that they wouldn't have drawn it any better on paper.
I am not saying they don't use stencils and I'm sure they do sometimes but I personally have never seen Richard Stell, Troy Denning or Chris Trevino use a stencil. also I work with both Horizakura and Yoni Zilber who I watch draw on entire sleeves and backpieces that become the most beautifuly executed tattoos. So what im saying is its not the process/approach that is to blame for giving you an unsatisfactory tattoo it is the artist that executed it. I'd hate to see you go into a situation where youre gonna get tattooed by a Chris Garver or Horitomo and he says he's gonna freehand it so you get spooked and end up opting out of it because someone on the internet said that freehand is a red flag.
also drawing on the spot is perfectly ok if the artist has the experience and skills to do so. if Gordon Ramsey offered to come to my house and make me dinner using whatever i have in my cupboard I'm not going to request that he figure out the recipe a week in advance because he's going to nail it.

I see a couple of people suggesting that its a bad idea to go the freehand route. sorry but that is false. if you go to someone and they cant draw a good design on you chances are that they wouldn't have drawn it any better on paper.
I am not saying they don't use stencils and I'm sure they do sometimes but I personally have never seen Richard Stell, Troy Denning or Chris Trevino use a stencil. also I work with both Horizakura and Yoni Zilber who I watch draw on entire sleeves and backpieces that become the most beautifuly executed tattoos. So what im saying is its not the process/approach that is to blame for giving you an unsatisfactory tattoo it is the artist that executed it. I'd hate to see you go into a situation where youre gonna get tattooed by a Chris Garver or Horitomo and he says he's gonna freehand it so you get spooked and end up opting out of it because someone on the internet said that freehand is a red flag.
also drawing on the spot is perfectly ok if the artist has the experience and skills to do so. if Gordon Ramsey offered to come to my house and make me dinner using whatever i have in my cupboard I'm not going to request that he figure out the recipe a week in advance because he's going to nail it.

I see a couple of people suggesting that its a bad idea to go the freehand route. sorry but that is false. if you go to someone and they cant draw a good design on you chances are that they wouldn't have drawn it any better on paper.
I am not saying they don't use stencils and I'm sure they do sometimes but I personally have never seen Richard Stell, Troy Denning or Chris Trevino use a stencil. also I work with both Horizakura and Yoni Zilber who I watch draw on entire sleeves and backpieces that become the most beautifuly executed tattoos. So what im saying is its not the process/approach that is to blame for giving you an unsatisfactory tattoo it is the artist that executed it. I'd hate to see you go into a situation where youre gonna get tattooed by a Chris Garver or Horitomo and he says he's gonna freehand it so you get spooked and end up opting out of it because someone on the internet said that freehand is a red flag.
also drawing on the spot is perfectly ok if the artist has the experience and skills to do so. if Gordon Ramsey offered to come to my house and make me dinner using whatever i have in my cupboard I'm not going to request that he figure out the recipe a week in advance because he's going to nail it.

I see a couple of people suggesting that its a bad idea to go the freehand route. sorry but that is false. if you go to someone and they cant draw a good design on you chances are that they wouldn't have drawn it any better on paper.
I am not saying they don't use stencils and I'm sure they do sometimes but I personally have never seen Richard Stell, Troy Denning or Chris Trevino use a stencil. also I work with both Horizakura and Yoni Zilber who I watch draw on entire sleeves and backpieces that become the most beautifuly executed tattoos. So what im saying is its not the process/approach that is to blame for giving you an unsatisfactory tattoo it is the artist that executed it. I'd hate to see you go into a situation where youre gonna get tattooed by a Chris Garver or Horitomo and he says he's gonna freehand it so you get spooked and end up opting out of it because someone on the internet said that freehand is a red flag.
also drawing on the spot is perfectly ok if the artist has the experience and skills to do so. if Gordon Ramsey offered to come to my house and make me dinner using whatever i have in my cupboard I'm not going to request that he figure out the recipe a week in advance because he's going to nail it.

I see a couple of people suggesting that its a bad idea to go the freehand route. sorry but that is false. if you go to someone and they cant draw a good design on you chances are that they wouldn't have drawn it any better on paper.
I am not saying they don't use stencils and I'm sure they do sometimes but I personally have never seen Richard Stell, Troy Denning or Chris Trevino use a stencil. also I work with both Horizakura and Yoni Zilber who I watch draw on entire sleeves and backpieces that become the most beautifuly executed tattoos. So what im saying is its not the process/approach that is to blame for giving you an unsatisfactory tattoo it is the artist that executed it. I'd hate to see you go into a situation where youre gonna get tattooed by a Chris Garver or Horitomo and he says he's gonna freehand it so you get spooked and end up opting out of it because someone on the internet said that freehand is a red flag.
also drawing on the spot is perfectly ok if the artist has the experience and skills to do so. if Gordon Ramsey offered to come to my house and make me dinner using whatever i have in my cupboard I'm not going to request that he figure out the recipe a week in advance because he's going to nail it.

I see a couple of people suggesting that its a bad idea to go the freehand route. sorry but that is false. if you go to someone and they cant draw a good design on you chances are that they wouldn't have drawn it any better on paper.
I am not saying they don't use stencils and I'm sure they do sometimes but I personally have never seen Richard Stell, Troy Denning or Chris Trevino use a stencil. also I work with both Horizakura and Yoni Zilber who I watch draw on entire sleeves and backpieces that become the most beautifuly executed tattoos. So what im saying is its not the process/approach that is to blame for giving you an unsatisfactory tattoo it is the artist that executed it. I'd hate to see you go into a situation where youre gonna get tattooed by a Chris Garver or Horitomo and he says he's gonna freehand it so you get spooked and end up opting out of it because someone on the internet said that freehand is a red flag.
also drawing on the spot is perfectly ok if the artist has the experience and skills to do so. if Gordon Ramsey offered to come to my house and make me dinner using whatever i have in my cupboard I'm not going to request that he figure out the recipe a week in advance because he's going to nail it.

I see a couple of people suggesting that its a bad idea to go the freehand route. sorry but that is false. if you go to someone and they cant draw a good design on you chances are that they wouldn't have drawn it any better on paper.
I am not saying they don't use stencils and I'm sure they do sometimes but I personally have never seen Richard Stell, Troy Denning or Chris Trevino use a stencil. also I work with both Horizakura and Yoni Zilber who I watch draw on entire sleeves and backpieces that become the most beautifuly executed tattoos. So what im saying is its not the process/approach that is to blame for giving you an unsatisfactory tattoo it is the artist that executed it. I'd hate to see you go into a situation where youre gonna get tattooed by a Chris Garver or Horitomo and he says he's gonna freehand it so you get spooked and end up opting out of it because someone on the internet said that freehand is a red flag.
also drawing on the spot is perfectly ok if the artist has the experience and skills to do so. if Gordon Ramsey offered to come to my house and make me dinner using whatever i have in my cupboard I'm not going to request that he figure out the recipe a week in advance because he's going to nail it.

I see a couple of people suggesting that its a bad idea to go the freehand route. sorry but that is false. if you go to someone and they cant draw a good design on you chances are that they wouldn't have drawn it any better on paper.
I am not saying they don't use stencils and I'm sure they do sometimes but I personally have never seen Richard Stell, Troy Denning or Chris Trevino use a stencil. also I work with both Horizakura and Yoni Zilber who I watch draw on entire sleeves and backpieces that become the most beautifuly executed tattoos. So what im saying is its not the process/approach that is to blame for giving you an unsatisfactory tattoo it is the artist that executed it. I'd hate to see you go into a situation where youre gonna get tattooed by a Chris Garver or Horitomo and he says he's gonna freehand it so you get spooked and end up opting out of it because someone on the internet said that freehand is a red flag.
also drawing on the spot is perfectly ok if the artist has the experience and skills to do so. if Gordon Ramsey offered to come to my house and make me dinner using whatever i have in my cupboard I'm not going to request that he figure out the recipe a week in advance because he's going to nail it.

I see a couple of people suggesting that its a bad idea to go the freehand route. sorry but that is false. if you go to someone and they cant draw a good design on you chances are that they wouldn't have drawn it any better on paper.
I am not saying they don't use stencils and I'm sure they do sometimes but I personally have never seen Richard Stell, Troy Denning or Chris Trevino use a stencil. also I work with both Horizakura and Yoni Zilber who I watch draw on entire sleeves and backpieces that become the most beautifuly executed tattoos. So what im saying is its not the process/approach that is to blame for giving you an unsatisfactory tattoo it is the artist that executed it. I'd hate to see you go into a situation where youre gonna get tattooed by a Chris Garver or Horitomo and he says he's gonna freehand it so you get spooked and end up opting out of it because someone on the internet said that freehand is a red flag.
also drawing on the spot is perfectly ok if the artist has the experience and skills to do so. if Gordon Ramsey offered to come to my house and make me dinner using whatever i have in my cupboard I'm not going to request that he figure out the recipe a week in advance because he's going to nail it.

absolutely judge a book by it's cover... that's what it's there for

i was 16 or 17. i got a small tattoo on my calve. back then i never wore shoes or socks. as soon as school let out the shoes and socks came off. so the day after i got it done i was in the kitchen and i had socks on(to hide the tattoo) and the conversation went like this
mom "so letes see it"
me "see what?"
mom "the tattoo. dont play dumb"
me "i dont know what youre talking about"
mom "BS, youre wearing socks. youre hiding something."

LST's own Scott Sylvia draws THE best daggers if you ask me

people who are into tattoos get tattoos whether they are tattooers are not. if you're not tattooed then you'll never convince me that you are really into them.
my experience has been that non tattooed tattooers dont love tattooing, they love money and they think tattooing is an "easy" way to get some they are "artists" who cant make it as an artist in the art world so they become tattooers because it the only way they can figure out to make a living illustrating.
sidenote: Ursula, while the majority of the time you'd probably be correct it is not always true about tattooers being covered in the stuff we like to do. especially with people like myself who've tattooing for a long time. the 90's was an exciting time for tattooing and i am covered head to toe in tattoos that do not reflect who i am artistically at all anymore.because tattoos are permanent they do not change as our taste does so I have a biomech sleeve even though i havent done any biomech tattoos or had any interest in biomech at all since the late 90's.