I felt a great disturbance in the force, as if millions of hipsters suddenly cried out in terror and were suddenly silenced. I fear something amusing has happened.
Fifth (final) session on my back, the long story.
Photo
Link to my other post in this thread.
And here's picture from and what I wrote after the lining session
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Last session - booked for Sunday, March 29:th, at the Scottish Convention
On the friday I was supposed to take the night bus from London to Edinburgh where Iain Mullen and Rudy Fritsch were working the Scottish Convention and ready to finish my back on the Sunday. To make a long story short, I ended up not going on the bus due to having booked the wrong month (Second time this happens to me, damn you Victoria Coach Station!) and instead I found myself after a sleepless night (spent in a night open café in Soho) on the first train to Edinburgh in the morning. Finally I can sleep I thought. Wrong. Turns out scottish people likes to talk a lot and there is no silent compartment. After a few hours of trying, I get perhaps 20 minutes of sleep. When I wake up I have a text from Iain saying "Let's do the session today instead!" (Other clients could only get tattooed tomorrow)
This makes sleeping again very difficult due to being severely excited and also scared/psychologically unprepared of a brutal session that I thought I'd get tomorrow. Stupid as I am, I convince myself that it's going to be all right. I sleep maybe 20 more minutes before I arrive to Edinburgh, where the wind is blowing so hard people almost fall of the streets. I've all ready been practically awake for more than 24 hours. By text, me and Iain try to arrange someplace where I can at least get some sleeping hours before the session. His hotel room turns out not to be a good idea. But there is a emergency room at the venue where I could get some peace and quiet. Great.
I make my way over to the convention, after having bought pre- and post-tattoo food stuff. Choosing carefully to get a lot of nutrition and powerful stuff that will fend of the tattoo sickness I can all ready feel breathing down my neck. I've now been on a trip for 6 days, from Barcelona to Toulouse (where I got my lower belly/pubic area tattooed by Guy Le Tatooer, another wonderful horrible experience), a 32 hour bus ride from Toulouse to London, one much needed night in a proper bed, staying awake the night before in the café and now I am here. Last destination of the tattoo pilgrimage. Iain tells me to go to the big stage and look for a guy in a short mohawk named Tom/Tim and say "I'm the guy who's been travelling".
This code phrase opens up the gate to my quiet sanctuary. Actually, it turns out to be a very small, cold, brightly lit, room where a big scottish man (emergency crew) is hanging out waiting for the emergencies to happen. There is neither a shower, as I had thought, or a proper bed. There is just sort of a portable emergency bed, barely wide enough for one person. I explain who I am and he lets me lie on the bed. I am too tired to fall asleep. This whole situation seems absurd. I pull my jacket and a hoodie from my backpack over my body and turn my face towards the wall. I try to relax, to breath calmly and slow down everything. The anticipation of the last session, and the pain that goes along, is very distracting. Over the com-radio there are sparse messages, barely intelligible in scottish.
After a while two giggling girls come in. One of them has fainted ("This happened last year too!") and they are giving a routine check up and some good advice to eat and drink water. Meanwhile I'm this strange traveling, greasy haired, bum sleeping under jackets in the emergency room. After two hours or so I give up on trying to sleep and decide to go out, eat something and have a look around. Everything is like in a haze. I can not be bothered with all these people. I do not want to see the burlesque dancers doing whatever it is that they're doing. I sit outside and eat the big, ready chopped, stir fry with kale and edamame beans that I bought from the store. I eat some nuts, I drink some superberry juice. Must not get sick.
I hang out in the both with Iain and Rudy. Rudy is tattooing both of Joe Ellis' feet in some strange tribal architectural freehand style and we talk about him doing something similar on my left elbow since Iain did the right one. After a while I go to the handicap bathroom to have what few people would have called a shower. After cleaning myself up with the water from the sink and slipping into clean clothes I feel a bit more civilized again. It is time for finishing the back piece.
I would have much rather liked if the circumstances would have been different but after being awake for now nearly 34 hours I am lying face down at the Scottish convention, with my half covered ass pointing towards the small crowd that is starting to form, and one tattoo machine being tuned on either side of me. Memory of a lifetime moment, right there.
Considering probably being in the worst shape ever before getting tattooed, it was not as bad as I had braced myself for. It was certainly bad. Somewhere between terrible and outright nasty, if I had to specify. In the start they added on some liner details that I was not expecting. Then they added some very thick dots that felt like evil torture to my ribs. Then they went on with the shading and I could settle in to the groove of it somewhat. Knowing how bad the first two machine session was, when we did the lines in June, this was almost bearable. It never got worse than the lining session. When it's your back being worked on and two machines are moving from spot to spot, you have no way of anticipating where the pain is going to be and for how long. You just have to take it, so I did.
About 30 minutes before we were done I had to go to the bathroom. I was totally in my zone, something like what I imagine marathon runners go into to keep pushing, and was not ready to face a bunch of people watching me. Somebody said "hero" as I passed. I felt weird. The whole non-privacy of the event was strange. Both mind and body was in turmoil. As with the pain I can be amazed by states like this, the things you can experience when pushing hard. How it makes your head feel from the inside. I returned, back on the table, and we did the last bit. When I sat up in the end to have some more straight lines just below my neck I was trembling from exhaustion and emotionally shaken. It had been a profound journey.
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After the tattoo I hung around while the guys packed their stuff, we went with some other people by taxi to a pub but realized they had just stopped serving food at ten in the evening. We split up and I went with Iain and Rudy to have fish and chips at some hole in the wall. Veggie burger in dry bun for me. Finally the couchsurfer I was supposed to stay with showed up and we walked back to his apartment. We had a really good conversation on the way there. I chucked half of the burger in a trash bin. The apartment he shared with three other people felt very much like Trainspotting, except no visible drug related objects scattered around. I feel asleep in a windowless room and had no dreams, just blacked out for 12 hours.
Two days later I flew home to Stockholm, had take away-dinner with my girlfriend and took the night train towards the very north end of Sweden. I felt it really bad all ready and for the coming four days I was bedridden with a massive fever and accompanying headaches and cold. At least I could watch the whole second season of The Wire from start to finish.
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I had planned to start my backpiece when I had turned 30. Now I am 28 and it's all ready finished. It's been a fantastic experience and left very warm memories. I am so happy that I asked them both to collaborate, that it worked out, and that I trusted them completely with the design. Since we started in June my personal life, a big portion of the things that happened, have been so good, enriching and developing that that whole time in my life feels very beautiful. Turns out that the biggest part of my body carries a piece of which I didn't even see the design until the hour when we started, yet now it holds so much significance and meaning. I really like the thought of tattoos like amulets imbued with qualities and forces. I'll always have power on my back. That's how I see it.
Matt Arriola pantherized my last big spot yesterday at Spotlight. He couldn't quite get it to fit, so he decided to add flames. Always a good call.
I have some inner thigh/tenderloin spots and a few tiny spaces on my legs, but if I said "I'm done" now, I don't think anyone would fault me.
But we all know that I'm not done.
To balance out Matt Arriola Jesus, I'll throw in my Theo Mindell devil. Finished a few weeks ago at Spider Murphy's in San Rafael Ca. Photo stolen from his instagram
I have no idea who Billi Vegas is, besides someone who made a statement I disagree with completely.
"Traditional" tattooing isn't nearly as "antiquated" as Japanese tattooing, yet both have stood the test of time. I have lots of both kinds of tattoos, including some huge and some tiny. Different strokes and all that.
Just got an email from Greggletron. He is going to tattoo a spider on my chin. It will go under my chin with the legs peeking up onto the front. Stoked!
@bongsau - Shad is super nice, and SO FAST! We got that snake done in 4 HOURS! 4!!!! Outline, shading, color!!! He does use bactine, as you mentioned, and that helps so much. He said he is going to be up in Canada, so I hope you get in to see him!
This was a really painful session, all in all. The upper back is like hot fire. Not fun! I am so stoked to get to this point in my tattoo, though, and I can't wait to continue the collaboration. We were talking about a dragon on the rest of the back of my legs looking up at the snakes. !!!!
Anyway, for those who might have missed it on IG, here is my new snake!
I'm so glad I found this thread. Although I never screamed during my back piece, it was brutal at times. I literally saw stars during the session that we did her face and shoulder area. I did this in 2-3 hour sessions. By Matt Dinovo out of Black Squirrel Tattoo in Omaha, NE.
Hello friends. It's been a while since I've posted, as it had been a while since I've been tattooed. That ended today with the first sit on my back piece.
Overall, I'd say it wasn't as awful as I expected, but certain areas were downright painful. Notably the bum. Next sit isn't for 9 weeks, so I've got time to mentally prepare myself for more pain.
Bum progress. The ass and thighs are just plain nasty, and I don't recommend that anyone get them tattooed. :)
Done by Mark Armstrong, Sacred Art Tattoo Manchester
This backpiece by Shige, Yellowblaze, is one of my favourite tattoos. I loved it the second I saw it, the scale of the design, the placement, the execution, its all fantastic. However it seems like many other people also loved this design and wished they had it, but instead of taking reference from it, creating something new, adapting the design, they just copied it, line for line.
This isn't the only tattoo I have seen copied line for line - I am sure it happens all the time. I KNOW it happens all the time. I also saw it happen to a member here who had a beautiful dragon done by Shige, his tattoo was copied by a Korean artist called Gen. Every time I see it happen it makes me disillusioned - I have met artists who are genuinely proud to reproduce other peoples work, and see no problem with it. They say "If its on the internet, its fair game". I HATE that kind of attitude. It hasn't happened to any of my tattoos, but I know it would make me angry.
Is imitation the sincerest form of flattery, or is this unforgivable plagiarism?